Showing posts with label I'M STILL HERE. Show all posts
Showing posts with label I'M STILL HERE. Show all posts

Sunday, May 22, 2011

I'M STILL HERE! Carpe Diem!! THIS IS MY LIFE!

Happy Sunday!...the day AFTER Judgement Day! A lot of us had a field day yesterday making fun of the entire concept! But what if it HAD been the end of the world? Would we be ending our time on this planet complete?

In other words have you completed your goals OR did you at least have fun pursuing them? Or do you have regrets? Are there words still left unspoken? Deeds that need to be done?
In all honesty, we should live EVERY day as if it were our last and if it were our own personal judgement day. What were you doing at 6PM yesterday? I was at Angus McIndoe's celebrating a friend's 72nd birthday with friends, both old and new. I was exactly where I should have been, doing exactly what I desired to be doing!
How about you? Were you doing what you desired to be doing OR were you doing what you were forced to be doing?
I remember seeing one of the survivors on Larry King right after 9/11. He said the victims happened to be at the wrong place at the wrong time. We often hear this when a tragic situation happens.
But the woman being interviewed responded by saying everyone was exactly where they were SUPPOSED to be. Making a living for their loved ones. I wonder how many were excited to go to work that morning or how many were reluctantly going to work dreaming of a day of retirement.
Make THIS your Judgement Day At 6PM today, ask yourselves what you liked most about today, what you liked least, and what you will differently tomorrow?

Carpe diem is a phrase from a Latin poem by Horace that has become an aphorism. It is popularly translated as "seize the day". Carpe literally means "to pick, pluck, pluck off, cull, crop, gather", but Ovid used the word in the sense of, "To enjoy, seize, use, make use of".
The picture at the top is Yvonne DeCarlo. She was the original Carlotta in FOLLIES. She was the first one to sing Stephen Sondheim's, "Good times and bum times, I've seen them all but I'm here, I'M STILL HERE".
I thought it would be fun to write about the Carlotta's we've loved on stage and screen Yvonne DeCarlo had earned the right to sing that song. She had done high drama, camp, Biblical epics and even The Munsters! And she IS STILL HERE! And will continue to be after many of us have come and gone.
That is the magic of film and now cds. Everything can be preserved. I would love to think that someone will be writing about me long after I'm gone!Carlotta amuses everyone with a tale of how her dramatic solo was cut from the Follies because the audience found it humorous, but somehow the number works when she sings it today ("I’m Still Here").
Yvonne De Carlo (September 1, 1922 – January 8, 2007) was a Canadian-born American actress of film and television. During her six-decade career, her most frequent appearances in film came in the 1940s and 1950s and included her best-known film roles, such as of Anna Marie in Salome Where She Danced (1945); Anna in Criss Cross (1949); Sephora the wife of Moses in The Ten Commandments (1956), starring Charlton Heston; and Amantha Starr in Band of Angels (1957) with Clark Gable.
In the early 1960s, De Carlo accepted the offer to play Lily Munster for the CBS television series The Munsters, alongside Fred Gwynne and Al Lewis. I have heard many versions of this and none matches Yvonne's. This was written especially for her, and knowing her history from glamour girl to Lily Munster makes the lines "First you're another sloe eyed vamp / Then someone's mother, then you're camp" so much more poignant.
The daughter of an aspiring actress, Marie De Carlo, and a salesman, William Middleton, De Carlo was born Margaret Yvonne Middleton in Vancouver, British Columbia, and nicknamed 'Peggy'. "I was named Margaret Yvonne – Margaret because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own."(Baby Peggy Pictured)Her maternal grandfather, Michael de Carlo, was Sicilian-born, and her maternal grandmother, Margaret Purvis, was Scottish-born. Margaret's mother ran away from home when she was 16 to become a ballerina; after a couple of years of working as a shop girl, she was married in 1924. Little Peggy was three years old when her father abandoned the family. She lived with her grandparents. By the time she entered grade school, she found that her strong singing voice brought her the attention she longed for. Although her mother recognized Peggy's singing talent, she had already decided that her daughter would be a dancer. As a teenager Peggy was taken by her mother to Hollywood where she enrolled her in dancing school; she also attended Le Conte Middle School in Hollywood. Margaret lived in a downtown apartment with her mother, while Marie took on odd jobs such as waitressing. Mother and daughter were uprooted when their visas expired. Unable to find work, they returned to Vancouver.
She attended and dropped out of Vancouver's now-defunct King Edward High School, to focus more on her dance studies. She then attended the B.C. School of Dancing. It was there that Canadian dance instructor, June Roper, started her in a new direction, for which she was grateful and relieved. The following year at the Orpheum Theatre, Peggy appeared as a hula dancer in the famous revue Waikiki. A new nightclub, the Palomar, opened in Vancouver, and she acquired a week-long booking. Hoping to present more sophisticated image, she combined her middle name with her mother's maiden name and became "Yvonne De Carlo."


Polly BergenPolly Bergen (born Nellie Paulina Burgin; July 14, 1930) is an American actress, singer, and entrepreneur.
The 2001 Broadway revival of FOLLIES opened at the Belasco Theatre on April 5, 2001 and closed on July 14, 2001 after 117 performances and 32 previews. (This Roundabout Theatre limited engagement had been extended to close on September 30, 2001). Directed by Matthew Warchus, with choreography by Kathleen Marshall, it starred Blythe Danner (Phyllis), Judith Ivey (Sally), Treat Williams (Buddy), Gregory Harrison (Benjamin), Marge Champion, Polly Bergen (Carlotta), Joan Roberts (later replaced by Marni Nixon), Larry Raiken (Roscoe), and an assortment of famous names from the past. Another former MGM star, Betty Garrett, played the role of Hattie.[45] It was significantly stripped down (previous productions, especially the original, were most notable for their extravagant sets and costumes) and was not a success critically.

LAUREN BACALL!I had breakfast with Lauren Bacall (Call me Betty) once! Her memoir, NOW, had just come out and she was doing a book signing. She walked in and the first thing she said was that she was not a morning person and for us not to expect her to be pleasant! A woman came over to the table to get Betty to sign her book to the greatest mother alive. Betty refused because she felt that HER mother had been the greatest mother that had ever lived!
Lauren Bacall, original name Betty Joan Perske (born September 16, 1924, New York, New York, U.S.), American motion-picture and stage actress known for her portrayals of provocative women who hid their soft core underneath a layer of hard-edged pragmatism.

EARTHA KITT! The late, great Eartha Kitt sings "I'm Still Here" on (I think) the Olivier Awards during her run in Follies in the late 1980s. The woman was one of a kind. I was lucky enough to see her last run at The Carlysle two years ago. I had no idea she was sick. She grabbed Danny and kissed him at the end of her performance. When I heard on Christmas eve that she had passed, I was saddened and shocked. We are both from South Carolina, but I never knew ANYONE to sound like that!
An out-of-wedlock child, Eartha Kitt was born in the cotton fields of South Carolina, a pregnancy resulting from the rape by a white plantation owner and a sharecropper mother of African-American and Cherokee Native American descent. Given away by her mother, she arrived in Harlem at age nine, and at 15 she quit high school to work in a Brooklyn factory. As a teenager, Kitt lived in friends' homes and in the subways. By the 1950s, however, she had sung and danced her way out of poverty and into the spotlight: performing with the Katherine Dunham Dance Troupe on a European tour.
Katherine Dunham, pseudonym Kaye Dunn (born June 22, 1909, Glen Ellyn, Ill., U.S.—died May 21, 2006, New York, N.Y.), American dancer, choreographer, and anthropologist noted for her innovative interpretations of ritualistic and ethnic dances.
Dunham early became interested in dance. While a student at the University of Chicago, she formed a dance group that performed in concert at the Chicago World’s Fair in 1934 and with the Chicago Civic Opera company in 1935–36. On graduating with a bachelor’s degree in anthropology she undertook field studies in the Caribbean and in Brazil.
Eartha soloing at a Paris night club and becoming the toast of the Continent. Orson Welles called her "the most exciting girl in the world". She speaks out on hard issues and plays no favorites; at one point, she drew flak from blacks by working throughout South Africa and reveling in her treatment there as an honorary white.
She had her share of controversy.
Read: Kitt, Eartha, Confessions of a Sex Kitten, Barricade Books, 1991.
Kitt, Eartha, with Tonya Bolden, Rejuvenate! (It's Never Too Late), S. & S. Audio, 2001.

Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5fCZNPC
Eartha Kitt's life story is one of show business's most unusual and poignant tales. From an unimaginably humble background in the Deep South, Kitt rose to become the toast of Europe during the glamorous 1950s as a cabaret singer with a dynamic persona and memorable, throaty voice. Back in America, however, she faced criticism from the African-American community for being perceived as too "white," but later earned public support the hard way after speaking out against the Vietnam War in 1968. The media backlash over Kitt's remarks, combined with government harassment, effectively derailed Kitt's career in the United States for several years. Later, however, Kitt returned to both stage and screen and her recording career.

Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5fbXeKk


Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5az5cZ1

She was enveloped by controversy in 1968. Invited to a White House luncheon by Lady Bird Johnson, wife of President Lyndon Johnson, Kitt thought about the women she had met while giving dance workshops in the Watts neighborhood of Los Angeles; they told her that it was primarily poor people who were being sent to fight in Vietnam, while well-off college students avoided the war through student deferments. Kitt in turn told the assembled dignitaries at the White House that the Vietnam War was to blame for growing civil unrest in the U.S. "You send the best of this country off to be shot and maimed. No wonder the kids rebel and take pot," she was quoted as saying by Schneider. During the firestorm of criticism that followed, the Reverend Martin Luther King called her and said she should be recommended for the Nobel Peace Prize. The antiwar student counterculture of the day also came to Kitt's defense, and "Eartha Kitt for President" buttons were seen on college campuses.
Signed contracts for performances quickly evaporated, however, and Kitt was not even allowed to appear on Hollywood Squares, a well-known haven for careers on the way down. She was effectively blacklisted in the United States and did not work there again until 1978. Kitt was investigated by the Central Intelligence Agency (which once issued a report calling her a sadistic nymphomaniac) and suffered losses of friends and money. But she was unrepentant. "This country has given all Americans IOUs: freedom of speech, freedom from oppression, freedom from hunger, etc.," she told Haywood. "Then I tell the truth, and I get my face slapped…. If you don't want my honest opinion, then don't ask me the question." Kitt kept her career going with performances in Europe, and, having faced criticism from conservatives in the United States, she took more from liberals when she appeared in apartheid-era South Africa in 1974. She was unrepentant about that, too, pointing to the humanitarian projects she had funded with proceeds from the show.
In 1978 Kitt was rehabilitated in the U.S. with an appearance in the Broadway musical Timbuktu, and President Jimmy Carter invited her to sing at the White House. Though she was at an age when most performers slow down, she climbed back to popularity. A disco recording, "Where Is My Man?" (1983), added a homosexual contingent to her fan base, and she began to find stage and film roles. Cameos in Ernest: Scared Stupid (1991) and in Eddie Murphy's Boomerang (1992) kept her camp-sexy image before the public, and she stayed in shape with an exercise-and-raw-juice regime that allowed her to pull off her act convincingly. In 1996 she appeared in the one-woman show Lady Day, a biographical treatment of the life of jazz singer Billie Holiday. Major stage successes came with appearances as the Wicked Witch in The Wizard of Oz in 1998, and as the Fairy Godmother in Cinderella (2001).
She supplied the voice of the sorceress Yzma in the film The Emperor's New Groove, and in 2005 she was still going strong, touring and taking over for the late cabaret singer Bobby Short with a recurring engagement at the Hotel Carlyle in New York City. Eartha Kitt seemed indestructible. At the age of 81, Kitt succombed to colon cancer. She died on December 25, 2008, in Weston, CT.
Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5YrfAf4


Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5Y6mXxK

Eartha Mae Kitt was an international star who gave new meaning to the word versatile. She has distinguished herself in film, theater, cabaret, music and on television. Miss Kitt was one of only a handful of performers to be nominated for a Tony (three times), the Grammy (twice), and Emmy Award (twice). She regularly enthralled New York nightclub audiences during her extended stays at The Cafè Carlyle and these intimate performances have been captured in her recording, Eartha Kitt, Live at The Carlyle.
Though Kitt is uncertain about her exact date of birth, since no birth certificate exists (her mother was most likely still a teenager, while her father was white), she recalled a hardscrabble life in the sharecropping territory of South Carolina during the Depression. She, her mother, and younger sister moved from house to house while their mother did chores in exchange for room and board. The young Kitt routinely suffered taunts of "yella" because of her lighter skin; eventually her mother left her behind with one farm family when she married a man who rejected Kitt because of her mixed race. "My mother felt a man was more important than her daughter," Kitt told Richette Haywood in Ebony. "I would never have left my child," she added.

Read more: http://www.answers.com/topic/eartha-kitt#ixzz1N5fwGbyW


CAROL BURNETT: Carol Creighton Burnett (born April 26, 1933) is an American actress, comedienne, singer, dancer and writer. Burnett started her career in New York. After becoming a hit on Broadway, she made her television debut. After successful appearances on The Garry Moore Show, Carol moved to Los Angeles and began an eleven-year run on The Carol Burnett Show which was aired on CBS television from 1967 to 1978. With roots in vaudeville, The Carol Burnett Show was a variety show which combined comedy sketches, song, and dance. The comedy sketches ranged from film parodies to character pieces. Burnett created many endearing characters during the show's television run.
Burnett was born in San Antonio, Texas, the daughter of Ina Louise (née Creighton), a publicity writer for movie studios, and Joseph Thomas Burnett, a movie theater manager.
Both of her parents, particularly her father, suffered from alcoholism, and at a young age she was left with her grandmother, Mabel Eudora White. Her parents divorced in the late 1930s, and Burnett and her grandmother moved to an apartment near her mother’s in an impoverished area of Hollywood, Los Angeles, California. There, they stayed in a boarding house with her younger half-sister Chrissy.

ELAINE STRITCH:Elaine Bawson Stritch (born February 2, 1925) ANOTHER AQUARIAN!is an American actress and vocalist. She has appeared in numerous stage plays and musicals, feature films, and many television programs. She is known for her performance of "The Ladies Who Lunch" in Stephen Sondheim's 1970 musical Company, her 2001 one-woman show Elaine Stritch at Liberty, and recently for her role as Jack Donaghy's mother Colleen on NBC's 30 Rock. She has been nominated for the Tony Award four times in various categories, and won for Elaine Stritch at Liberty.

SHIRLEY MACLAINEShirley MacLaine giving a hell of a performance. On Shirley's website, she writes, "I think we all choose the paths of our lives. I knew I wanted to be a "communicator" from the very beginning. So I communicated through fifty films, many TV and stage shows and ten books. For me the search for Truth is paramount... The truth of a character I'm playing, the truth of the subject matter I write about or the truth of why we are alive and how it relates to our destiny."

Thinking of recent deaths David Gurland, Randy Savage, Barbara Stuart, Randall Wrigitt, and Doric Wilson, I'm constantly being reminded of how fragil life is! Carpe Diem. Doric Wilson (February 24, 1939 – May 7, 2011) was an American playwright, director, producer, critic and gay rights activist.


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TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com

Wednesday, May 11, 2011

Remembering Papermill Playhouse's FOLLIES...13 years later!

Happy Wednesday! Anyone who knows me knows that I always have music surrounding me. I can't imagine not having that sense to be able to hear music. I get up each morning, start my coffee, and grab a CD. I don't even know how many CDs I own. I do have over 5000 songs on my Ipod always on shuffle.
This morning, I got up and grabbed FOLLIES, the original cast recording. I am listening to it as I write my morning blog. The picture you see here is me and Danny backstage with Ann Miller (she said call me Annie!) at The Papermill Playhouse which we saw in 1998.
Wow, has it really been that long!?!?! Dick Kelly, a very dear friend (who introduced me to Dody Goodman) was a friend of Ann Miller's.
I was dying to see the show. He called Ann and told her about me and that I wanted to meet after the show. She said, "Of course!". It was incredible to see her on stage. I, unfortunately, never saw her in Sugar Babies, and I envy everyone who saw her in MAME.
I also have a playbill of her in HELLO, DOLLY! Can you imagine? I bet that was a tour de force! Anyway, back to Ann. We went to a Saturday matinee in May of 1998. It was a gorgeous day. The entire cast was superb! It was equally exciting to see my friends Donna McKechnie and Meredith Patterson (who I had done summer stock at Theatre By The Sea with). When Ann sang"I'm Still Here", electricity went through that theatre and beyond.

It still is strong in my mind.
There was talk at one time that that production was going to go to Broadway.
A huge shame that it did not.
After the show, we went backstage to see Ann. Anyone who has ever been backstage at The Papermill Playhouse knows that the dressing rooms are slightly larger than shoe boxes. Ann was sharing a dressing room with Phyllis Newman (ask her to tell you sometime about Ann Miller's wigs!).
Ann popped her head out and asked if we wouldn't mind waiting while she took off her make-up. 45 minutes later she emerged wearing more make-up than she wore in the show: her street make-up! (See photo!)

But we had about a 45 minute visit with Ann and her dogs. We talked mostly about her doing THE LOVE BOAT with Carol Channing. Carol has some great stories about working with Ann Miller.

It was a day and a memory that I will always cherish! I'M STILL HERE! Opened April 15, 1998 at the Paper Mill Playhouse, Milburn NJ
Closed May 31, 1998
Produced by the Paper Mill Playhouse
[Angelo Del Rossi, Executive Producer] Angelo and I eventually became good friends. Robert Johanson, Artistic Director]
Associate Producer: Roy Miller
Produced in association with Gene R. Korf
Directed by Robert Johanson
Choreography by Jerry Mitchell. Jerry, of course, produces BROADWAY BARES every year. (Pictured) Broadway Cares/Equity Fights AIDS is the theatre community’s response to the AIDS crisis. By drawing upon the talents, resources and generosity of the theatre community, on Broadway, Off-Broadway and across the country, BC/EFA raises funds for AIDS-related causes across the United States. Since its founding in 1988, BC/EFA has raised over $175 million for critically needed services for people with AIDS, HIV, or HIV-related illnesses.

Jerry Mitchell is a Facebook friend. And, of course, he is represented on Broadway right now in CATCH ME IF YOU CAN, which I saw a few weeks ago and loved!
Catch Me If You Can, the new Broadway musical from the hit-makers behind Hairspray, began at the Neil Simon Theatre March 7, 2011.(DanceOn presents the fifth episode of DIARY OF A CHORUS GIRL! It's the final week in the rehearsal studio before the cast and crew move to the Neil Simon Theater.

DIARY OF A CHORUS GIRL is an original webseries that follows the making of Broadway's CATCH ME IF YOU CAN through the eyes of Alex Ellis, a cast member making her Broadway debut!)

The ORIGINAL production of FOLLIES:

Tryouts ran February 20 - March 20, 1971 at the Colonial Theatre, Boston



Previews began March 24, 1971 at the Winter Garden Theatre, NYC
Ran for 12 preview performances
Opened April 4, 1971 at the Winter Garden Theatre
Closed July 1, 1972; Ran for 522 performances
Produced by Harold Prince
in association with Ruth Mitchell
Directed by Harold Prince and Michael Bennett
Choreography by Michael Bennett(This video is an excerpt from the highly recommended 1992 concert DVD "Sondheim: A Celebration at Carnegie Hall".)
Scenic Production Designed by Boris Aronson
Costumes by Florence Klotz
Lighting by Tharon Musser
Dance Music Arranged by John Berkman
Musical Direction by Harold Hastings
Orchestrations by Jonathan Tunick
Cast included

Major-Domo - Dick Latessa [replaced by Joseph Nelson]
Sally Durant Plummer - Dorothy Collins
Young Sally - Marti Rolph
Christine Donovan * - Ethel Barrymore Colt [replaced by Terry Saunders on 7/7/71, then by Jan Clayton on 2/27/72]
Willy Wheeler - Fred Kelly [replaced by Donald Weissmuller]
Stella Deems - Mary McCarty
Max Deems - John J. Martin

Back to Papermill's Follies: (Original Choreography by Michael Bennett and Bob Avian for "Who's That Woman")
Scenic Design by Michael Anania
Costumes by Gregg Barnes
Lighting Design by Mark Stanley
Sound Design by Craig Cassidy
Co-Musical Direction by Jim Coleman & Tom Helm
Cast

Dmitri Weismann - Eddie Bracken

"The Weissman Girls"
Sally Durant Plummer - Donna McKechnieDonna McKechnie certainly has had a life worth writing about: She left her dysfunctional Detroit home at age 16, made her Broadway debut at age 19 in How to Succeed in Business Without Really Trying, became one of the Great White Way's premier dancers in the landmark musicals Promises, Promises and Company -- in signature pieces choreographed by her friend and future husband, Michael Bennett -- and helped to create the autobiographically inspired role of Cassie in Bennett's A Chorus Line, which earned her the Tony Award for Best Actress. But life hasn't been all statuettes and glitter for McKechnie; there was her painful divorce from Bennett in 1977 and his untimely death in 1983, coupled with a career that saw more downs and up for almost two decades until her return to Broadway in the revival of State Fair and her spectacular performance as Sally in the 1998 Paper Mill Playhouse production of Follies. (Source Brian Scott Lipton, Theatremania.com)
Young Sally - Danette Holden
Phyllis Rogers Stone - Dee Hoty
Young Phyllis - Meredith Patterson
Carlotta Campion - Ann Miller
Young Carlotta - Jillana Urbina
Hattie Walker - Kaye Ballard
Young Hattie - Krista Lepore
Stella Deems - Phyllis Newman(An original song written for her by her late husband Adolph Green, from her 1968 LP "Those Were The Days").
Young Stella - Pamela Jordan
Solange La Fitte - Liliane MontevecchiYoung Solange - Jean Marie
Heidi Schiller - Carol Skarimbas
Young Heidi - Ingrid Ladendorf
Emily Whitman - Natalie Mosco
Young Emily - Pascale Faye
Christine Donovan - Ann Cunningham
Young Christine - Temple Kane
Sandra Crane - Laura Kenyon
Young Sandra - Julie Connors
Dee Dee West - Billie Thrash
In 2007, Encores did a critically acclaimed production of FOLLIES that included Victoria Clark, Donna Murphy, Victor Garber and Christine Baranski.It still kills me that I missed that! Follies
Encores at NY City Center - NYC
February 2007
Review by John Kenrick

"As the audience roared through the tumultuous curtain calls on the final night of the triumphant Encores series staging of Stephen Sondheim's Follies, a friend asked why I looked so damned sad. I told him it was simple -- I have no reason to believe that anything else I see this season will be nearly as glorious.

Few musicals are so suited to an all-star concert treatment -- Chicago being one of the obvious contenders. Like that Kander & Ebb treasure (which sprang from an Encores weekend into a still-thriving ten year Broadway run), Sondheim's Follies score is chock full of showstoppers, giving magical moments to all the lead players and several supporting characters. James Goldman's book does much of its work brilliantly, evoking the emotions that pour forth when old cast members of a long-gone series of Broadway revues reunite to celebrate the imminent demolition of their old theatre. True, the soap opera-like romantic tangles of the four leads get painfully smushed in the second act, leading up to a climactic nervous breakdown that no production has ever quite made believable."
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman. The story concerns a reunion in a crumbling Broadway theatre, scheduled for demolition, of the past performers of the "Weismann's Follies," a musical revue (based on the Ziegfeld Follies), that played in that theatre between the World Wars. It focuses on two couples, Buddy and Sally Durant Plummer and Benjamin and Phyllis Rogers Stone, who are attending the reunion. Sally and Phyllis were showgirls in the Follies. Both couples are deeply unhappy with their marriages. Buddy, a traveling salesman, is having an affair with a girl on the road; Sally is still as much in love with Ben as she was years ago; and Ben is so self-absorbed that Phyllis feels emotionally abandoned. Several of the former showgirls perform their old numbers, sometimes accompanied by the ghosts of their former selves.
Here are a few of my favorite BROADWAY BABIES!
Bernadette Peters!The Kennedy Center for the Performing Arts' production of Stephen Sondheim and James Goldman's FOLLIES began previews May 7. The cast will feature two-time Tony winner Bernadette Peters as Sally Durant Plummer,four-time Tony nominee Jan Maxwell as Phyllis Rogers Stone, two-time Tony nominee Danny Burstein as Buddy Plummer, Ron Raines as Benjamin Stone and Olivier Award winner Elaine Paige as Carlotta Campion.

The production will also star Terrence Currier as Theodore Whitman, Christian Delcroix as Young Buddy, Rosalind Elias as Heidi Schiller, Colleen Fitzpatrick as Dee Dee West, Lora Lee Gayer as Young Sally, Michael Hayes as Roscoe, Florence Lacey as Sandra Crane, Linda Lavin as Hattie Walker, Régine as Solange LaFitte, David Sabin as Dimitri Weismann, Kirsten Scott as Young Phyllis, Frederick Strother as Max Deems, Nick Verina as Young Ben, Susan Watson as Emily Whitman and Terri White as Stella Deems.

Rounding out the ensemble will be Lawrence Alexander, Brandon Bieber, John Carroll, Sara Edwards, Leslie Flesner, Jenifer Foote, Leah Horowitz, Suzanne Hylenski, Danielle Jordan, Joe Kolinski, Amanda Larsen, Brittany Marcin, Edrie Means, Erin Moore, Pamela Otterson, Clifton Samuels, Kiira Schmidt, Brian Shepard, Sam Strasfeld, Amos Wolff and Ashley Yeater.

Follies will run May 7 to June 19, 2011 in the Kennedy Center Eisenhower Theater. The production features a book by James Goldman and music and lyrics by Stephen Sondheim, and will be directed by Eric Schaeffer with choreography by Warren Carlyle. James Moore will serve as music director and will conduct the 28-piece Kennedy Center Opera House Orchestra.

When former members of the -Weismann Follies reunite on the eve of their theater's demolition, two couples remember their past and face the harsher realities of the present. In the crumbling glamour of the theater, The Shadows of their younger selves remind them of the complicated steps they've danced - both on the stage and throughout their lives. Containing such well-known songs as -Broadway Baby, -I'm Still Here, -Too Many Mornings, -Could I Leave You? and -Losing My Mind, Follies echoes the songs, exuberance and romance of the vaudeville days between the two World Wars.

Originally produced on Broadway by Harold Prince with orchestrations by Jonathan Tunick, Follies opened on April 4, 1971 starring Dorothy Collins, John McMartin, Gene Nelson, and Alexis Smith. It ran for 522 performances in the Winter Garden Theatre and received seven Tony Awards®, including Best Original Score.

The Kennedy Center production of Follies will feature scenic design by Derek McLane, costume design by Gregg Barnes, lighting design by Natasha Katz, and sound design by Kai Harada. The musical will feature Jonathan Tunick's original orchestrations.

FOLLIES will play at the Kennedy Center May 7 through June 19.

(Source: BROADWAY WORLD.COM)


DOROTHY LOUDEN who created one of the more indelible portraits in musical comedy history with her portrayal of the slatternly, orphan-hating Miss Hannigan in the orignal Annie, was 70 when she died (I STILL GRIEVE OVER THIS!). The cause was cancer.

Loudon won a 1977 Tony Award for Annie. As Miss Hannigan, the tippling mistress of a dank city orphanage, she first abused Little Orphan Annie, then tried to steal her away from the loving and rich Daddy Warbucks in hopes of a reward. She delighted audiences nightly with her comic-sour ode to "Little Girls." She shared a second rousing number, "Easy Street," with the characters of Rooster, Hannigan's conniving brother, and Lily St. Regis, Rooster's dim floozy girlfriend.

A blowsy, big-voiced, big-haired, big-eyed presence, Loudon did not shy from generous performances. She was in many ways a creature of the stage, where, despite appearing in a high number of flops, she found her greatest success.

Loudon landed the role of Hannigan only by chance, after a chance encounter Mike Nichols, who was Annie's producer. The two had known each other from their early cabaret days in Manhattan, and Nichols had directed her in her stage debut, an Off-Broadway production of World of Jules Feiffer. Nichols suggested the then-out-of-work actress audition. She did, and won the job.


Annie proved the culmination of a long, hit-and-miss career. Though she went on to a few more noteworthy parts—she played opposite Katharine Hepburn in West Side Waltz in 1981 and starred in the original Broadway production of Noises Off in 1983—she never again found a vehicle as good or successful as Annie. In recent years, she was seldom seen on the New York stage. Loudon was announced to act in Dinner at Eight last season at Lincoln Center Theater, but bowed out during previews. Marian Seldes took over.

A few other projects did not completely flower. In 1998, Varese Sarabande Records released a concept recording of a musical based on the film The Night of the Hunter, on which Loudon sang a role. No production resulted in the actress' lifetime. The next year, she acted at Signature Theatre of Virginia's world premiere of Over & Over, the John Kander and Fred Ebb musicalization of The Skin of Our Teeth. The show did not go beyond that staging and remains in development.

Dorothy Loudon was born Sept. 17, 1933, in Boston, MA, and went to school at the American Academy of Dramatic Arts. Her first love was dancing. "I used to walk around with a turban and tap shoes, and I took tap-dancing lessons," she told Playbill's Harry Haun in one of her last interviews. "Then, for some reason, when I went to college, I thought 'Dancers are very disciplined, and I don't want to live that hard life,' so I got a drama scholarship to Syracuse and did a lot of acting there. That's really all I wanted to do from that point on."

She first attracted national attention on television's "Gary Moore Show," where she replaced Carol Burnett (who would later get the Miss Hannigan role in the movie of Annie).

The actress made her Broadway debut in the revue Nowhere to Go But Up. The 1962 show lasted only a week, but Ms. Loudon won good notices and a Theatre World Award. Also short-lived were 1968's Noel Coward's Sweet Potato, 1969's The Fig Leaves Are Falling (for which she nonetheless received a Tony nomination and a Drama Desk Award) and 1969's revival of Three Men on a Horse (another Drama Desk Award).

She won a third Tony nomination for 1978's Ballroom, the Michael Bennett musical which lasted only a few months.

Her success in Annie led to a short-lived 1979 television series called "Dorothy," in which she played a former Broadway star who teaches at an all-girl school in Connecticut.

Touring engagements included a stint in the Harold Prince-directed Show Boat.

Ms. Loudon was married to Norman Paris, a musician and composer, in 1971. He died in 1977, during her run in Annie; she left the show shortly thereafter. She is survived by two stepchildren.

The comedienne displayed her ability to seize a comic moment with the best of them on opening night of the New York run of West Side Waltz. "Opening night we were doing a scene and the phone rang and it wasn't supposed to ring," Loudon recalled. "[Katharine Hepburn and I] both just sort of stared at it. Katharine was closest to it so she went over and picked it up and she say in that marvelous voice, 'Hello?' And then she held it out to me and said, 'It's for you.' I went over and took the phone and put the receiver to my ear and said, 'Well, whoever it was hung up.'" I was lucky enough to see her in JERRY'S GIRLS six times!


ELAINE STRITCH
(Photo by Barry Gordin last year's Bistro Awards)
Elaine Bawson Stritch (born February 2, 1925) is an American actress and vocalist. She has appeared in numerous stage plays and musicals, feature films, and many television programs. She is known for her performance of "The Ladies Who Lunch" in Stephen Sondheim's 1970 musical Company, her 2001 one-woman show Elaine Stritch at Liberty, and recently for her role as Jack Donaghy's mother Colleen on NBC's 30 Rock. She has been nominated for the Tony Award four times in various categories, and won for Elaine Stritch at Liberty.

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