Showing posts with label Dame Edna. Show all posts
Showing posts with label Dame Edna. Show all posts

Tuesday, May 17, 2011

Imitation Is the Sincerest Form of Flattery!

“The only way around is through.” ~Robert Frost
Happy Full Moon! Today, I have a confession to make and this may surprise you. I'm not a huge fan of "impersonation" or "drag"! As a matter of fact, I hate those two words! Carol Channing says that if it is done without malice, it is a tribute. But so many people who go into this profession will fall into cheap gimmicks to appease the audience.
When a Barbra "impersonator" for example starts crossing the eyes", or when a Bette Davis impersonator starts flailing around a cigarette, or a Cher impersonator starts to warble or roll the tongue around instead of being true to who they are performing as, they are not being true to their subjects and/or their audiences.
What they end up doing is editorializing (putting a spin on their subjects and/or filtering through their eyes). And when they start to be bitchy or catty, they definitely lose me. However, there are many TRUE artists in this profession and THOSE I love! Today, I would like to share some of them with you.

A few years ago, I was in San Francisco for a week that was to honor Carol Channing. I had donated some of my costume collection to The Museum of Performance and Design. They were doing a retrospective on Carol's Life And Career. There were many events happening that week to commemorate this event. However, on the Sunday night prior, Carol fell and fractured her hip.

I arrived in San Francisco late Sunday night and when I got the call the next morning from Harlan Boll, Carol's publicist and friend, I was devastated. I even thought for a moment about not staying the week. Harlan told me to sit tight till I heard from Carol and Harry. When I spoke with Harry, he asked if I could stat till Friday night for the gala evening being hosted by the Museum honoring Carol Channing.
I agreed to stay. Then I got a call from Theatre Rhinoceros.

They were doing a Carol Channing look alike contest the next night(Carol originally was scheduled to be there). They asked if I now would be a judge! At first, I turned them down. I didn't want anyone to think that I was exploiting Carol in any way. Then I got a call from Harlan saying that Carol wanted me to do this for her! Then I got a call from Carol saying she would love for me to be there and speak on behalf of The Foundation (Dr. Carol Channing-Harry Kullijian Foundation For The Arts). I said I would do it as "Richard", not as "Carol". Carol said, "I like Richard, too!".

Well, the next night was a blast! I loved all the entertainers.
They all were wonderful.

Here is the winner: Jordan L'Moore as Carol Channing!When the SF Bay Guardian heralded Jordan L'Moore as being "so beautiful it hurts", they only scratched the surface of this multi talented performer... not only is Miss L'Moore dazzling to look at, she's also an expert safe cracker and master of disguise who will stop at nothing in her pursuit of fast cars, flawless jewels, and fabulous friends.

Thanks to my friend, Sandra Holiday, I've been introduced (on line) to Jacquie Peters.

Jacquie is a flawless tribute artist honoring Shirley Bassey!Jacqui Peters with a tribute to Dame Shirley Bassey at the San Carlos Theater in Key West January 2011 - with her Encore - and Michael L. Waters opened as Dame Edna... Presented by Bobby Green

And here is Carolyn Rowe as Dame Shirley Bassey:


I am probably one of the luckiest guys in the world to have the FRIENDSHIP and support that I have from Carol Channing. That truly is the greatest gift that has come out of my career and means more to me than anything else. There are very few in this profession where that happens. It has also happened to my friend Michael Walters as Dame Edna. He has earned the respect of Barry Humphries(Dame Edna) and with good reason. He IS the BEST! A native of Hope, Arkansas, Michael was delivered by the same nurse who delivered former President Bill Clinton. That nurse also happened to be his late grandmother, Wilma Booker.
Michael began performing as soon as he realized he had an unquenchable thirst to be the center of attention. A natural mimic, Michael began as a miniature Rich Little - doing impressions of the entire cast of The Muppet Show, Archie Bunker and countless other television icons - and he hasn't stopped since. Fortunately, some of the impressions have gotten better over time.As a performer, Michael has appeared in over 75 musicals and dozens of other dramas and comedies from Neil Simon to Shakespeare. Michael has performed for audiences across the country in some of the nation's finest regional theatres as well as for thousands of people a day at Walt Disney World. At Disney, Michael had the honor of appearing for three years in the longest running musical show in the history of the American Stage: The Hoop Dee Doo Revue, which has been continually running at Walt Disney World for 35 years. Michael was an original cast member of FINDING NEMO: THE MUSICAL, originating the role of Bruce the Shark. Michael has toured nationally as a soloist with the Mantovanni Orchestra and with Troupe America's BABES IN TOYLAND.Michael L. Walters starred as Dame Edna in A Royal Audience with Dame Edna at the Golden Apple Dinner Theatre January 4th -16th in Sunny Sarasota, Florida!

For several years in Vegas, there was the Fil Jessee's IGCITA (International Guild For Celebrity and Tribute Artists). I went for three years. The organization, unfortunately, disbanded and fell apart. I won a Cloney Award and I hosted three different showcases. One of my greatest gifts from that experience is my friendship with Shaon Daniels. One of the best impressionists around! Sharon Daniels is an unusually talented and versatile comic impressionist and celebrity impersonator. At an early age she exhibited the ability of vocal mimicry by duplicating the voices of teachers, parents and friends.(Just like Carol Channing!) Honing her skills in stand up comedy clubs, Sharon has developed a wide range of hilarious impersonations of comedians, actors, vocalists, and well known personalities, both female and male. Her range includes not only celebrity voices, but duplication of foreign or regional accents. She has a successful show of impersonations, comedy and singing... does radio and TV spots... and was featured on the Oprah Winfrey Show, was a finalist on 30 Seconds To Fame, and had a recent spot on the Tonight Show. Sharon was awarded the "Cloney" in Las Vegas for Best Female Celebrity Impressionist by the International Guild of Celebrity Impersonators and Tribute Artists in 2003 and 2004.
Sharon Daniels is also a lyricist. She enjoys writing poems on all subjects and for all occasions, and recently wrote and sang lyrics to a tune that was just released by World Domination Music Ltd. in 2007, called "Building Dreams". Music by Barry Watson (www.barrybwm.plus.com), Lyrics by Sharon Daniels.




I appeared with Randy Roberts in Atlantic City at Trump's Taj Mahal for eight weeks. I also saw Randy this summer in Provincetown. A TRUE artist! DO NOT MISS HIM!
Nationally known female impersonator Randy Roberts will return to New Hope on May 28 with his newest version of "Randy Roberts Live!," a multimedia tribute to some of the world's most loved performers.
Roberts' uncanny impersonations of Joan Rivers, Cher and Bette Midler have kept him in the spotlight for the past 20 years. His roster of famous and infamous ladies also includes: Mae West, Joan Crawford, Carol Channing, Ann Miller, Phyllis Diller (an act which landed him on "The Jenny Jones Show" with the real Phyllis Diller), and a bevy of original ladies, including Gypsy Rose Lee, to whom he pays tribute, and audience favorite, Consuela-The Latin Showgirl. This time around, he'll also be bringing with him a version of Lady Gaga.
Roberts closes every show with a mini-lounge act, allowing the audience to ask him questions. But he's not just an impersonator.(Source: Naila Francis)


My idol, the one that I aspire to be as good as is Jim Bailey! I remember the very first time I saw Jim Bailey on television. It was shortly after Judy had passed on and it was on the Ed Sullivan show. I was blown away. I have been lucky enough to see Jim perform live several times!
Jim performing his Judy tribute Judy Garland for Prince Charles on British television singing Over the Rainbow from the Wizard of Oz.
for more visit www.jimbaileyweb.com
“One of the most astonishing acts ever”. . .
San Francisco Chronicle

“Defies disbelief, uncanny and classy”. . .
London Times

“Overwhelming…hypnotic... A supreme consummate performer!” New York Times

“Jim Bailey is one-of-a-kind, an authentic original!”. . .
Los Angeles Times

“Watching Bailey is like watching Hal Holbrook as Mark Twain, Robert Morse as Truman Capote or Julie Harris as Emily Dickinson. His work is in that class.”. . .
Boston GlobeJim performing 'Before the parade passes by' from 'Hello Dolly' on a tv special.
This is one of my favorites.


Sandra Holiday has also introduced me to Ceri Dupree!


Electra!


The following article was to announce my appearance in Provincetown this past AugustChanneling Channing :: Richard Skipper on "Carol Channing in Concert"

by David Foucher, EDGE Publisher -

In the world of gay cabaret, female impersonators are ubiquitous - but precious few can say they are adored by those they imitate. When Richard Skipper takes the stage as Carol Channing, he dons both the actresses’ ring and her ringing endorsement of his work.

"We’ve become very good friends," Skipper says of his relationship with the actress he emulates. "We talk all the time, she calls me to ask how I am. She was in New York three weeks ago and we spent the afternoon together. She’s thrilled with what I’m doing."


Skipper admits his is not a usual line of work; he eschews the term "drag" when its used to describe his artistry - but he doesn’t mind telling a willing listener how he was dragged into his career.

"I watched a lot of television when I was young," he begins. "As a kid I mimicked everything I saw on TV. And one of the things I remember really well was Lucille Ball doing her imitation of Carol Channing."

Via television he discovered a yearning to act; and as a young thespian, he rapidly bloomed.

"I started out in musical theatre, of course," he quips. "I was first in ’Mame’ - and no, I was not Mame, I was young Patrick. I came to NYC when I was 18 to pursue this as a career. And had some one then said to me that I would be doing what I’m doing now, I would never have believed it."

But when Skipper was called to sing "Hello Dolly" in a Manhattan piano bar one night, he took Lucille Ball’s lead... and ended up with a startling change in direction.

"I was nineteen," he rcalls, "but I got up and I sang as Carol. The place just went crazy.
Afterwards, someone asked me what my drag name was. Look - I grew up on a farm in South Carolina - I didn’t even know what that meant. She said, ’Well obviously you do this professionally.’"

Her statement was prophetic; he was briefly added to a gay-themed theatrical show performing as Channing - the gig didn’t last, but at its close he had added to his arsenal a critical next weapon: the outfit.

For the span of a few years, Skipper continued to work odd jobs - messenger, waiter, temp - while entertaining crowds each Halloween as the famous actress. He slowly developed a reputation for his high-quality emulation. And then, in 1994, Broadway called.

It didn’t call Skipper - at least, not yet. Instead, Carol Channing returned to the Great White Way in ’Hello Dolly," and the fervent fans in the gay community celebrated her return.
One of the organizations to officially mark the event was the New York Gay Men’s Chorus, who that year produced a tribute to Jerry Herman.

To Skipper, the confluence of events seemed the perfect opportunity. He began researching and preparing a show, and then reached out to the chorus.

"I started campaigning to do a number in that show. I faxed, emailed, everything -= all on deaf ears," he laments. "But a week or two before the concert, a friend called up and asked what I was doing the night of the concert. He was planning the post-party, and Carol and Jerry were both going to be there."

He then asked Skipper to crash the party dressed as Channing, and suggested that Skipper prepare a few numbers in case there was an opportunity to perform. Skipper debated about this unusual chance to meet his idol - but not for long.

"I went down to the Regent that night, and I walked into the bar. The entire place went crazy.
They walked me through to Carol’s table, and they said, ’Carol we have a surprise for you - this is Carol Channing.’"

"I went down to the Regent that night, and I walked into the bar," and here, Skipper pauses for effect. "The entire place went crazy. They walked me through to Carol’s table, and they said, ’Carol we have a surprise for you - this is Carol Channing.’ she looked up and she said, ’Where did you learn to do this?’"

Skipper has - consciously or unconsciously - begun flawlessly channeling Channing in my presence.

"I said, ’Bennington College in Vermont, you do know where that is Carol? It’s the lower left-hand corner of the map, the part of the state that’s always purple.’ Of course this is material from her act.

"She started laughing, and she asked, ’How long have you been impersonating me?’ And I said, ’Who’s to say you’re not impersonating me?’"


A friendship was struck, and Channing asked Skipper to sit with her. She grilled him on his life, and he responded with hers, in complete character. "She said I was scaring the hell out of her," he brags.

"Well I didn’t want to monopolize her," he continues. "But I did say I wanted to do a song for her before she left. She said, ’You want to do a song for me?’ I said, ’Actually I would like to do my whole show for you, but I don’t think you have the time.’ She said, ’I’ll make the time, you just tell me when and where.’ I said, ’Upstairs in ten minutes.’ And she stood up and she announced to the entire room: ’I never thought I would say these words, but in ten minutes we’re all going to see Carol Channing.’"

She was good to her word, sitting on a stool in front of the nervous Skipper as he performed his new show. At the end of the performance, Channing jumped up on stage and presented him with a ring of hers, placing it on his finger.

"As long as you keep this," she said to him, "I will always be on stage with you."

The audience cheered. Skipper laughs, remembering: "She then told me, ’There are two things I don’t like about your show, you look better and you sound better than I do.’"

With her ring - and her ringing endorsement - in hand, Skipper left behind odd jobs and took his act on the road. Over the past ten years, he’s played from coast to coast, earning awards and accolades, many for his recent production, "An Evening with Carol Channing." He’s not played in New York for three years, and returns this month with a full band and a musical tribute entitled, "Carol Channing in Concert," playing sporadically during Gay Pride month at the Hideaway Room at Helen’s NYC. He describes the show as a loving musical-comedy tribute.

"I call it loving because most people who do impersonations are mean and nasty," he asserts. "Most people who do that are making fun of the people they’re impersonating. They’re putting their own spin on people. I don’t need to put a spin on Carol, she’s bigger than life as she is. I’m 45 now. I present Carol exactly as she was at 45. Imagine her then - she was doing ’Hello, Dolly,’ she had done ’Thoroughly Modern Millie,’ she had a lot of wonderful things behind her and in front of her. And I present her at that point of her life, at her heyday."

The show is also a throwback to the popular supper clubs of the 1950s and 60s. Those who wish to merely see the show may do so; but for those who wish to truly immerse themselves in the experience, a full dinner is held prior to curtain. And then, Skipper tells her story through song. His focus, this time, is on the music... and with luck, a different kind of return to Broadway for Carol Channing.

"I want to do this show on Broadway," he states without hesitation. "The buzz is already great. At my first preview there were three women who said they wanted to invest in the show. I have three theatre companies coming in to see the show. It’s selling out every night. That’s the goal. I want to do this show on Broadway."

With determination and critical acclaim in equal evidence, he may just succeed - which makes "Carol Channing in Concert" a homecoming to remember.








www.RichardSkipper.com
All you have to do today is bask in the LOVE and talent that surrounds you!
Go see a live show tonight at The Metropolitan Room!


Tomorrow's blog will be Michael Holmes...and other suggestions I receive!

Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/foundation.htm
TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com

Saturday, March 20, 2010

BEEF AND BOARDS DINNER THEATRE, MICHAEL FEINSTEIN, DAME EDNA...AND MORE!


Beef & Boards Dinner Theatre Presents HELLO DOLLY 3/25-5/2
(Source: BROADWAYWORLD.COM)


Love is in the air this spring as Beef & Boards Dinner Theatre presents the famous matchmaking musical Hello, Dolly!
The beloved Broadway show, which won 10 Tony Awards including Best Musical, is live on stage March 25 through May 2.
Based on the play "The Matchmaker" by Thornton Wilder, Hello, Dolly! is the story of Dolly Levi, who is filled with personality and an agenda. A turn-of-the-century matchmaker, Dolly is supposed to be arranging a match for the wealthy Horace Vandergelder - but she'd much prefer to keep him to herself.
Horace has his sights set on a pretty young widow, but Dolly doesn't give up on getting her man.


Award-winning composer Jerry Herman's score includes such great songs as "It Takes A Woman," "Put On Your Sunday Clothes," "So Long Dearie," "Ribbons Down My Back," "It Only Takes A Moment," and of course, "Hello, Dolly!"

Renowned Chicago actress Iris Lieberman stars as the meddling title character, while Mark Goetzinger of Indianapolis reprises the role of half-a-millionaire Horace Vandergelder.
There are 43 performances of Hello, Dolly! scheduled in the intimate space of Beef & Boards Dinner Theatre.
Tickets range from $35 to $58, and include Chef Odell Ward's specially prepared buffet with a fruit & salad bar, unlimited coffee and tea. Ample free parking is available.

For reservations, call the Box Office at 317.872.9664. Box office hours are 10 a.m. to 7 p.m. Tuesday through Sunday, and 10 a.m. to 6 p.m. Mondays.

Hello, Dolly! is sponsored in part by Indianapolis Woman magazine.

For complete show schedule, visit www.beefandboards.com.

Beef & Boards Dinner Theatre, located on the Northwest side of Indianapolis, has been providing food and fun for everyone since 1973.



Feinstein and Dame Edna are B'way's new odd couple

By MICHAEL KUCHWARA, AP Drama Critic



In this theater publicity image released by Jeffrey Richards & Associates, Michael Feinstein, left, and Barry Humphries as Dame Edna are shown in "All About Me," playing at Broadway's Henry Miller's Theatre in New York.





Not since Felix Ungar and Oscar Madison moved in together has Broadway had such an odd couple on the boards.

But there they are: Michael Feinstein, cabaret sophisticate with an encyclopedic knowledge of the Great American Songbook, and the purple-coiffed Dame Edna Everage, that audacious Australian housewife channeled by Barry Humphries, sharing the stage at the Henry Miller's Theatre.


Their 90-minute show, which opened Thursday, has the feel of a glossy Las Vegas revue, well put-together but unsurprising, especially if you have seen both performers before.

Feinstein, dressed in a spiffy tuxedo, gets to demonstrate his formidable musical-theater expertise, particularly in a lovely rendition of the classic Rodgers and Hart tune "My Romance." He caresses the lyrics, making each word count. And when the lyricist is of the caliber of Lorenz Hart, the words are straight from the heart, pure and truthful.

Other songs are given more of a hard sell, from the Burton Lane-Alan Jay Lerner "What Did I Have That I Don't Have?" to the Charles Strouse-Lee Adams "A Lot of Livin' to Do." Both numbers are pumped up to maximum volume by the on-stage orchestra under the athletic direction of Rob Bowman.


The conceit for the show, which was written by Feinstein and Christopher Durang, is that each performer doesn't know the other will also be appearing.

After an argument — and a solo turn by Dame Edna — they agree, under the mediation of the revue's stage manager (Jodi Capeless) to become a double act.

Dame Edna, in a splendid array of gaudy costumes by Anna Louizos, knows how to interact with an audience. It's a unique skill, and Dame Edna is a master practitioner. Deftly peppering them with questions, she can extract information from even the most recalcitrant theatergoer and then use the material to get laughs.

There are other performers, too. When both Feinstein and Edna are in the wings, Capeless delivers a gutsy rendition of "And the World Goes 'Round," the John Kander-Fred Ebb anthem closely associated with Liza Minnelli.
And both stars are ably assisted by a couple of well-built chorus guys, Gregory Butler and Jon-Paul Mateo.


"All About Me" has been directed by Casey Nicholaw, one of Broadway's most savvy showmen. He's schooled in old-fashioned razzmatazz, and his knowledge of making a musical move comes in handy as the show builds during its final half-hour and celebrates the stars' more-or-less peaceful coexistence.

Here we get an idiosyncratic and often funny rendition by Dame Edna of Stephen Sondheim's "The Ladies Who Lunch," even after Edna had previously proclaimed that the show would be a "Sondheim-free zone."
And the section includes some of the show's more original material, including an outrageous little ditty (penned by Feinstein and Humphries) called "The Dingo Ate My Baby," and sung, of course, by Dame Edna.

Feinstein also has written a number celebrating Edna's signature flower, the gladiola. It wouldn't be a Dame Edna show without those posies being thrown into the audience at the finale and getting theatergoers on their feet. Talk about a ready-made standing ovation.

Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2010/03/18/entertainment/e150514D01.DTL#ixzz0iZzXqzcg


On Monday, March 15th, The Actors Fund presented the next in their series of Musical
Mondays in the lobby of the Pantages Theatre in Hollywood. This time offering
audiences a chance to get Up Close and Personal with Alan and Marilyn Bergman. The
evenings special guests included the incomparable talents of Maureen McGovern and
Lari White with the evenings moderation by Michael A. Kerker, ASCAP. The truly
enchanting evening was produced by John Bowab and Martin Wiviott. The, oh so very
important, Sponsors included Continental Airlines, Sunset Marquis and the
Nederlander Organization.

Among those in attendance for this evening of reflection upon music we grew up with
were Ilene Graff, Florence Henderson, Jane A. Johnston, Roslyn Kind, Patricia Kelly,
Kate Linder, Rose Marie, Donna Mills, Patricia Morrison, Eve Plumb, Stefanie Powers,
and Charlotte Rae.

Alan and Marilyn Bergman are two of the most distinguished figures in music today.
Nominated for sixteen Academy Awards, they have won three Oscars, four Emmys, two
Grammys and a Cable Ace Award. Patrons were heard to say more than once ... "I
remember where I was when I first heard ..." as they listened in rapt attention to
songs such as “The Way We Were”, “The Windmills of Your Mind”, “Papa, Can You Hear
Me?” from “Yentl”, “What Are You Doing the Rest of Your Life?”, “Nice 'n' Easy”,
“That Face”, “It Might Be You”, “The Summer Knows”, “Where Do You Start?”, “How Do
You Keep the Music Playing?”, among many others. The audience was stunned to hear
that Ms Barbra Streisand had in fact recorded 50 of their songs. For television,
they won Emmys for “Sybil' and for the TV musical “Queen of the Stardust Ballroom”
which was later adapted for the Broadway stage as “Ballroom”. Television theme songs
include "Maude," "Good Times," "Alice" , "Brooklyn Bridge" and “In the Heat of the
Night.” Their first collaboration with Cy Coleman, “Portraits in Jazz: A Gallery of
Songs” was commissioned by and performed in 2002 at The Kennedy Center in
Washington, D.C. and received widespread acclaim. The show, expanded with text by
Larry Gelbart, ran for a sold-out, limited engagement at the Mark Taper Forum in Los
Angeles. Now titled “Up Close and Musical”, it is being prepared for Broadway. Alan
and Marilyn are currently working on several projects with Michel Legrand and Marvin
Hamlisch. Their musical “Queen of the Stardust Ballroom” with music by Billy
Goldenberg, new music by Marvin Hamlisch, book by Jerry Kass, directed by Jerry
Mitchell and starring Tyne Daly is scheduled to open in the Fall of 2010. Their
current film Steven Soderbergh's “The Informant!” starring Matt Damon, includes
their song “Trust Me”, with music by Marvin Hamlisch. They are also working on
“Visions of America” - a photo symphony celebrating the sights and sounds of America
- for which they have written four new songs with composer Roger Kellaway. It had
its premiere performance in January 2009 with the Philadelphia Pops Orchestra.
“Lyrically, Alan Bergman” a CD of their songs sung by Alan with the Berlin Radio
Orchestra is in current release on Verve Records. Other collaborators of Alan and
Marilyn's are Dave Grusin, Henry Mancini, Johnny Mandel, Quincy Jones, John Williams
and James Newton Howard, collaborations which have resulted in countless important
works for film, television and recordings. Their many awards and honors include
induction into the Songwriters' Hall of Fame and its Johnny Mercer Award, the
Clooney Foundation Singers Salute to the Songwriter Award, the Songwriter's Guild
Aggie Award, the National Academy of Songwriters Lifetime Achievement Award, the
first Johnny Mercer Award by the Johnny Mercer Foundation and ASCAP's Founders
Award. Marilyn served as President and Chairman of the Board of the American Society
of Composers, Authors and Publishers (ASCAP) for fifteen years and continues to
serve on the ASCAP Board. She is also the Chair of the Library of Congress National
Sound Recording Preservation Board. Alan serves on many boards including the
Library of Congress National Film Preservation Board, the National Academy of
Songwriters, the Johnny Mercer Foundation, the Artists’ Rights Foundation and the
Jazz Bakery Board of Directors. They both serve on the Executive Committee of the
Music Branch of the Academy of Motion Picture Arts & Sciences. They were born in the
same hospital in Brooklyn, NY. Marilyn was a music major at New York's High School
of Music & Art, going on to study Psychology and English at New York University.
Alan holds a Bachelor of Arts Degree from the University of North Carolina,
continuing study toward a Masters Degree at UCLA.

The only complaint for the audience members was that there wasnt enough time to hear
more from Maureen McGovern and Lari White.
Two brilliant performers who captivated
the audience.

Taking control of the evening from the stage was Michael A. Kerker. Kerker has been
Director of Musical Theatre for ASCAP (American Society of Composers, Authors and
Publishers) since 1990. In addition to coordinating ASCAP's Musical Theatre Workshop
in New York (which is led by composer/lyricist Stephen Schwartz), he works with
Disney Theatricals to produce the ASCAP/Disney Musical Theatre Workshop in Los
Angeles (also led by Stephen Schwartz). Together with Michael Feinstein, Kerker
produces a regular series of concerts at Carnegie Hall highlighting the catalogue of
both legendary and contemporary songwriters. Michael is also producing a regular
series of interview programs entitled “Broadway: Up Close and Personal” for the
Kennedy Center. Michael's on stage conversations with some of our nation's most
prominent songwriters have included evenings with Jerry Herman, Alan and Marilyn
Bergman, Charles Strouse, Sheldon Harnick, Marvin Hamlisch, and Stephen Schwartz.
Michael produces an annual songwriter's cabaret as part of the Chicago Humanities
Festival. (Source: Harlan Boll)

Liza Minnelli to Offer Chicago Concert in June

By Adam Hetrick
17 Mar 2010

Award-winning entertainer Liza Minnelli will perform a one-night-only concert June 6 at the historic Chicago Theatre.


Minnelli, who was most recently seen on Broadway in her Tony-winning show Liza's at the Palace, will be joined by a quartet of performers and musical director Billy Stritch for the 7:30 PM concert. Tickets go on sale March 20.

An Oscar winner for her performance in the film "Cabaret," Minnelli has also earned Tony Awards for her performances in Flora, the Red Menace and The Act, as well as a special 1974 Tony. She presented a tribute to her late father Minnelli on Minnelli at the Palace, and has appeared in the films "The Sterile Cuckoo," "Arthur," "New York, New York" and "Stepping Out." The singer is also a Golden Globe and Emmy Award-winning actress.

For tickets visit TheChicagoTheatre.


Support THE ARTS! LIVE THEATRE! Go see a show this week! Send me your reviews and suggestions and I will put them in my next blog coming out next Friday! Here's to an ARTS-filled week! Don't forget to contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/Foundation.htm

With grateful XOXOXs for your support!

Richard Skipper

Follow me on Twitter @RichardSkipper

HERE IS WHAT AUDIENCES ARE SAYING ABOUT MY WORK:
Thank you for a lovely and festive St. Patrick's Day show at the Iguana! You and Dana were visions in green. :)
Sally Swallow





Dear Richard and Dana,
Last week's show was terrific! I have been away for a few weeks and I really missed the wonderful friendly atmosphere, comfortable surroundings, and fabulously talented entertainers. Keep up the great work. You have both created a place to "make mention about," and I mention it whenever I can.
Marlene Sampson






Hi Richard! Thank you again for a wonderful and entertaining evening at The Iguana on Wednesday night! You and Dana are so terrific and truly a delight to watch and hear. What an interesting line-up of singers, as well! Lots of fun! I thoroughly enjoyed the variety and the positive energy in the room. Looking forward to seeing you Wednesday! Best Always, Lisa Raze






FOR IMMEDIATE RELEASE: NYC Now a night out in NY to see a show at a VERY AFFORDABLE price!
Dana Lorge and I have put our OWN spin on the variety show format and are now hosting every Wednesday night in NYC at The Iguana VIP Lounge (http://www.iguananyc.com) in the heart of NYC (240 West 54th Street 8-11PM/with an intermission).



Cover: $12 - no food or drink minimums – but remember – the food is great!
This is a nice night out with the family!

For more info, please call 845-365-0720 or visit _www.RichardSkipper.com_
RESERVATIONS A MUST!!!!!!!!
212-765-5454.
No one admitted before
7:30.


















March 24th, Jackie Draper Marquee Five, and Diana Templeton returns!


March 31st: Frank Basile (seen here with Celeste Holm) , Deb Berman, Annie Dienerman, Stearns Matthews, Allegra Thieman ...


April 7th: Esther Beckman Group, Sina Lewis, Cindy Marchionda, RJ Shaw, Susan Winter


April 14th: Naomi Miller, Karen Oberlinjoins us!George Stella returns!

April 21st: Anaiza, Henry Dee, Rita Ellis Hammer, Jim Speake, Susan Eichhorn Young

April 28th: Kecia Craig and Frank Stern!

May 5th: Anton Van Der Merwe

May 19th: Adrienne Haan


May 26th: Michelle Collier

June 2nd: D'Yan Forest and Tod Hall





June 16th: 2010 Julie Reyburn


May 19th: Michelle Collier, Barbara Gurskey
TILL NEXT MONTH...HERE'S TO A MUSICAL SPRING!

Saturday, February 20, 2010

Michael Walters, Dame Edna, Jon Burr & Lynn Stein...and MORE!


Florida Actor came to New York to audition as Dame Edna's understudy!

Performer Michael Walters has an unforgettable presence, this combined with his quick wit, and booming voice make him the hit of any stage performance .
This week Walters who recently moved from Orlando, to south Florida came to New York to audition as Dame Edna's understudy in Dame Edna's upcoming Broadway show with Michael Feinstein!
He was one of a handful of actors that auditioned for the the role of understudy to famous Aussie actor,comic Barry Humphries.
Humphries, regularly plays the iconic character of Dame Edna.
He originally appeared in the role in 1979 for BBC Arena mockumentary. He often refers to himself as Edna’s manager. For those who may be unfamiliar with Dame Edna, she is best known for her signature lilac colored hair and outrageous cat eye glass’s, and siganture catch phrases as "Hello, Possums!.
Edna became regular on television in the UK, and in US homes making her a household name.


Walters acting background hails back to his childhood when at the age of 5 he began singing in Church plays and local theater . Later in High-school he skipped football practice, (much to his fathers disapproval) to audition for the classic “Bye Bye Birdie” and was cast in a leading role.
Said Walters “It was in High-school that I knew this is really what I wanted to do”.

Mark Two Theater Production of “Guy and Dolls” Kevin Thornton, Michael Walters, Sean Vigue ( FILE)

As many performers have he honed his craft in many of Orlando’s theme parks and local attractions. He has taken the stage at the Mark II dinner Theater, Walt Disneys "Hoop de doo Revue",streetmosphere actor, and as Tony for "Lady and the Tramp" town square restaurant .One role he is especially proud of is that he was the original actor for the role of Bruce the shark for “Finding Nemo the Musical”. This is a role that Barry Humphries had originally performed as a voice over for the Blockbuster film “Finding Nemo” also starring Ellen DeGeneres as Dory.

It was his job at Sleuths Mystery Dinner Show, in Orlando which gave him his first taste of being Dame Edna. The role he had to play was a man dressed as a woman. He chuckles and says “Trust me ,I never wanted to spend my career in a dress, that was never an ambition or goal of mine, but you play the cards your dealt”.
The role was written as a “sort of psychotic Julia Child”.




So said Walters "I wanted to find a character quirk that would make her interesting", so he asked the director if he could get "a lavender wig, some cat eye glass’s and a beaded dress”. He recalls that his first attempts at Edna were “miserable to say the least”. But he soon began to realize that he was getting the laughs .

Soon after an event producer approached him to start performing at red carpet events.
He began taking the role more serious studying footage of the real Dame Edna, and practicing his routine.

When an opportunity to catch his friend Michelle's performance as a backup dancer in Barry Humphries show, Walters jumped at the chance.
He watched with amazement at "how sharp his improv skills were", and how “absolutely brilliant he was .. he took total command of the audience”. It was then that Walters realized he had much more work to do. He sent a note backstage feigning a chance to see his friend, but she quickly caught on that it was Humphries he really wanted to see.
She relented and brought Walters back to meet his idol.

During the meeting Walters showed Humphries his photos as Dame Edna, and even did a little impromptu audition for him. Walters says that Humphries “gave me his blessing to portray the character” making him the “only other person authorized to play the role in the United States”.

Walters recommends getting permissions from any “living stars” before you invest the time, and efforts into any act. He is also approved to portray Jackie Gleason by his widow Marilyn Taylor Gleason.
This week, he headed to NYC for Dame Edna’s return to Broadway in duo show with Michael Feinstein called “All About Me”. (Video courtesy: Corine Cohen of http://www.corinescorner.com)

He told me me he will be bringing his show to The Post Office Cafe in Provincetown this summer mid June through Labor Day. DON'T MISS THIS SHOW!







Michael's website:

www.michaelwaltersonstage.com (Thank you Dawn Behren's for the source of this information)


New York’s Second Annual Rainbow Book Fair to Arrive March 27, 2010.

What do you call the largest LGBT book event in the entire U.S., showing
thousands of books geared especially for the diverse LGBT community,
headlined by famous writers, coupled with non-stop readings, academic panels, and
lots of eye and brain candy of every sort?

Answer: The Second Annual Rainbow Book Fair, taking off on Saturday, March
27, from 11 a.m. to 5 p.m. in the Concourse of the City University of New
York’s flagship headquarters in the glamorous old B. Altman Building at
Fifth Avenue and 34th Street. The Second Annual Rainbow Book Fair is hosted
by CLAGS, the Center for Lesbian and Gay Studies at CUNY, which knows that
LGBT books are the backbone of the queer studies field.
To make matters more interesting, this event, unlike so many others in New
York, is stark free to visitors. All you have to do is show up, look
around, hear writers you know and some you’ll want to know, meet dozens and
dozens of them (who’ll all want to meet you, too—writers with new books to
sell love readers!), as well as publishers, and maybe even a couple of agents
or two who’ll be showing up to scout out new talent. (And of course buy
books, writers adore book buyers!) Writers from all over the US, Canada, and
Europe will be on hand, along with such noted names as Martin Duberman, Brad
Gooch, Sarah Schulman, Joan Schenkar, and many others. There will also be,
concurrently, for the poetically minded, a Poetry Salon, curated by
Nathaniel Siegel, which was such a big success at the First Rainbow Book Fair
that it became almost a separate in itself.
The Salon will attract poetry
talent from the East Village to East Brunswick, and if you are a poet and just
want to s
how up, there will be some open mike time, too.

And, if you are learning about the Rainbow Book Fair for the first time,
and want to show books there, tables are a mere $100, and can be shared by
two authors. Even better for $250, you can become a sponsor, get your name
plastered all over New York, with immortality on the Book Fair’s website,
_http://rainbowbookfair.org_ (http://rainbowbookfair.org/) . The website will
also show you how to sign up directly through the CLAGS site. For more info
on the Second Annual Rainbow Book Fair, please Daniel Kitchen at
NYRainbowBkFair@yahoo.com. To get in touch with Nathaniel Siegel:
nathanielsiegel@nyc.rr.com.

Press contacts:

Daniel Kitchen: NYRainbowBkFair@yahoo.com. 973-820-3262

Perry Brass: belhuepress@earthlink.net. 917 301 3417

CLAGS contact: Sarah Chinn: SChinn@gc.cuny.edu. 212-817-1955

Jon Burr and Lynn Stein in Concert


Sunday, March 7, 2010
Time:
2:00pm - 3:30pm
Location:
Rockland Center for the Arts
Street:
27 South Greenbush Road
City/Town:
West Nyack, NY

A benefit for the Rockland Center for the Arts

Vocal/bass duo? Amazing!

Jon and Lynn perform soulful re-inventions that express the essence of the American Songbook, 60’s Pop and contemporary jazz. Jon Burr, acoustic bass virtuoso, has worked with Tony Bennett, Chet Baker, Stephane Grappelli, Barbara Cook and others. Artist/curator Lynn Stein returns to her musical roots as a vocalist. The duo will be performing selections from their CD “Jon and Lynn” coming out in March.

"Now you might think that a vocal and string bass duo would sound a bit thin, but let me assure you, it's not at all. This is one of the most musical renditions I've come across in years and I've found myself not only returning to it time and time again, but also recommending it to friends. It's beautiful. What a delight!"--William Duckworth, Composer

"Jon Burr and Lynn Stein of Jon & Lynn are a jazz/pop duo from the NYC area that combine the distinctive sound of the upright bass and voice into a mesmerizing combo that makes you think there's a big band playing instead of just the two of them..." - Darryl Gregory, Unsigned Underground
http://myspace.com/jonandlynn
twitter: jonandlynn
http://rocklandartcenter.org

West Nyack, NY 10994
(845) 358-0877
Pacino to Star in ‘Merchant of Venice’ in Shakespeare in the Park
By DAVE ITZKOFF

Steve Braun/Sony Pictures Classics Al Pacino, seen here in the 2004 film of “The
Merchant of Venice,” will again take on the role of Shylock for the Public Theater’s
Shakespeare in the Park production.
Say hello to Shakespeare in the Park’s new Shylock: Al Pacino will play that central
character in this summer’s coming production of “The Merchant of Venice,” the Public
Theater said on Monday. Mr. Pacino, the “Scarface” and “Godfather” star, who
previously played Shylock in a 2004 film version of the play directed by Michael
Radford, will play the role for Shakespeare in the Park’s 2010 season, in which
“Merchant of Venice” will be presented in repertory with “The Winter’s Tale.” (Mr.
Pacino, who apparently made the Public an offer it couldn’t refuse, will be
appearing only in “Merchant of Venice.”)

The repertory plays will also feature Jesse Tyler Ferguson (as Solanio in “Merchant”
and Young Shepard in “The Winter’s Tale”); Jesse L. Martin (Gratiano/Polixenes);
Lily Rabe (Portia/First Gentlewoman); Ruben Santiago-Hudson (Prince of
Morocco/Leontes); and Max Wright (Old Gobbo/Old Shepherd). Daniel Sullivan will
direct “Merchant of Venice” and Michael Greif will direct “The Winter’s Tale.” The
plays will be performed from June 9 through Aug. 1.


Mar 13
9:30
PIANOS CABARET ROOM (AT PIANOS BAR & GRILL), 36 Broad Street, Bloomfield Center, Bloomfield, NJ
CAROL CHANNING IN CONCERT STARRING RICHARD SKIPPER with Tim Taylor on Piano
$25 ticket, ($12 food/drink min. pp in cabaret room) Reservations: 973-743-7209. Following the show, please stay and dance in our main lounge!
"CAROL CHANNING" (SORT OF) COMES BACK TO BLOOMFIELD


On Saturday, March 13th @ 9:30PM, RICHARD SKIPPER, one of the most respected and acclaimed celebrity singer/actor/tribute artists will bring his famous show,"CAROL CHANNING IN CONCERT...STARRING RICHARD SKIPPER!" to PIANOS CABARET ROOM (AT PIANOS BAR & GRILL) in Bloomfield, NJ.
$25 ticket, ($12 food/drink min. pp in cabaret room) Reservations: 973-743-7209. Following the show, please stay and dance in our main lounge! "Skipper is no zircon" said THE HARTFORD COURANT , "He is a diamond worthy of Tiffany's & Cartiers."
Carol Channing herself, agrees! After seeing Richard Skipper's performance at NYC's Regent, she told reporters that "[this is] the first time EVER I have been shown with such love, respect and polish." And they have shared the stage several times since then!

"CAROL CHANNING IN CONCERT...STARRING RICHARD SKIPPER!" is a fully staged and choreographed,musical montage celebrating the career and persona of this unique, theatrical legend. Blending Channing standards, such as, "Hello Dolly," with original material and other familiar songs sung by Skipper in his powerful Broadway voice, the musical evening surveys Channing's life with many stops along the way for Skipper's unique--and riotous--"ad-lib" interactions with the audience.
Mr. Skipper is a two time recipient of the MAC (Manhattan Association of Cabaret) Award for "Outstanding Achievement in Impersonation"and the Backstage Bistro award for best performer.
He was named as one of the Top Ten Cabaret Performers by Cabaret Hotline and as "one of the Top of the Century Premiere Cabaret Acts" by Cabaret Scenes Magazine. Skipper returns to Bloomfield, NJ after recent engagements at various venues throughout the East Coast , the Ontario Hilton and Washington D.C.'s Mimi's. In each of those venues, he has played to sold-out houses and received outstanding reviews.
Said Backstage Magazine: "Skipper sparkles with the glow of Channing's charisma, but the extra shine you see on stage is a product of a diamond-like brilliance that is his alone.
[A]n unqualified musical comedy gem...There is no doubt in my mind that Richard Skipper is well on the way to international recognition and acclaim."

Here is your opportunity to experience Channing as you've never seen her before! For further information or directions, contact Pianos Cabaret Bar at 973-743-7209 .


Support THE ARTS! LIVE THEATRE! Go see a show this week! Send me your reviews and suggestions and I will put them in my next blog coming out next Friday! Here's to an ARTS-filled week! Don't forget to contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/Foundation.htm

With grateful XOXOXs for your support!

Richard Skipper

Follow me on Twitter @RichardSkipper


HERE IS WHAT AUDIENCES ARE SAYING ABOUT MY WORK:
Long may you wave! And continue to bring joy to all your audiences. The iguana is a great showcase for your multiple talents and you and Dana have resurrected a true entertainment that can be recommended to everyone, especially those from out of town.
Joe Regan Jr.



Richard -
You are among the most generous and supportive people I know, always promoting the work and performances of others, bringing people together, putting on a good face (lol), sending joy and love, and style and class into the world through your get-togethers and shows and emails and projects. You are alive! You... and your friends were the first to contribute to the National Theatre 175th Anniversary Fund, and I will never forget that! If only a tiny portion of the good you do for others, and the karma and positive energy which you radiate, returns to you, you will be fortunate indeed. Keep standing up for the good causes, and may your 49th Year be the Best One Yet!
Donn Murphy, THE NATIONAL THEATRE, http://www.nationaltheatre.org



My dear close friend Richard, Though you are 49 and I am 89 I hope I remain your Dolly as you have become a part of me and I have become a part of you. You can continue to make Dolly Gallagher Levi a legendary character that will live for generations to come..Our association will make that possible as you have many more birthday celebrations to enjoy. My love to you Richard. As ever and always, Carol Channing, http://www.carolchanning.org







FOR IMMEDIATE RELEASE: NYC Now a night out in NY to see a show at a VERY AFFORDABLE price!
Dana Lorge and I have put our OWN spin on the variety show format and are now hosting every Wednesday night in NYC at The Iguana VIP Lounge (http://www.iguananyc.com) in the heart of NYC (240 West 54th Street 8-11PM/with an intermission).



Cover: $12 - no food or drink minimums – but remember – the food is great!
This is a nice night
out with the family!

For more info, please call 845-365-0720 or visit _www.RichardSkipper.com_
RESERVATIONS A MUST!!!!!!!!
212-765-5454. No one admitted before
7:30.












Feb 24
8pm
IGUANA VIP LOUNGE, 240 West 54th Street, NYC
WEDNESDAY NIGHT AT THE IGUANA - CELEBRATING DANA'S BIRTHDAY
Barry Levitt on keyboard & Saadi Zain on bass.
Tonight's guests include: Susan Campanaro, Bobbie Horowitz, Cindy Marchionda ...
...and a few other surprises as well! $12.00 Music Charge/No food or drink minimum!
Reservations a must (212) 765-5454


March 3rd: Danielle Grabianowski

March 10th: David Alpher & Jenny Litt, Louise Quick (pictured), Nicholas Tamagna, Pam Tate, Maureen Taylor. And I'm doing a duet with the incredible David Vernon!

March 17th: Bending Threads and Cindy Marchionda returns along with Sally Swallow!

March 24th, Jackie Draper Julie Reyburn, and Diana Templeton returns!


March 31st: Frank Basile returns


April 7th: Esther Beckman Group, Sina Lewis, RJ Shaw, Susan Winter


April 14th: George Stella returns!


April 21st: Rita Ellis Hammer, Susan Eichhorn Young

April 28th: Kecia Craig and Frank Stern!
Keep checking http://www.richardskipper.com/schedule.html for upcoming entertainers and shows!


May 5th: Anton Van Der Merwe


May 19th: Michelle Collier, Barbara Gurskey

TILL NEXT TIME...
My Ping in TotalPing.com