Showing posts with label Bea Arthur. Show all posts
Showing posts with label Bea Arthur. Show all posts

Friday, May 7, 2010

ABC LAY-OFFS, TONY NOMINATIONS, RIP TAYLOR...AND MORE



Job Cuts at ABC Leave Workers Stunned and Downcast
(SOURCE: BRIAN STELTER)


If “Good Morning America” or “World News” look any different in the coming weeks, it might be because ABC News is employing nearly 400 fewer people.
David Westin, president of ABC News, said this was “a difficult time for everybody” involved.


Brian Rooney, an ABC reporter in Los Angeles, was let go.

Last week, ABC News, a unit of the Walt Disney Company, largely completed one of the most drastic rounds of budget cutbacks at a television news operation in decades, affecting roughly a quarter of the staff.
The cutbacks promise to change ABC both on- and off-camera.
For some employees, like the longtime Los Angeles correspondent Brian Rooney, Friday was their last day.
In an e-mail message, he compared it to “standing looking straight up when the bomb dropped.”
Personally, he said, the next step is scary. “I’m 58 years old with a wife, two daughters in school and a little dog who likes to be fed.
They have cut me loose into the worst economy in my lifetime,” he said.

The business of news is a particularly ugly one these days, and news outlets across the country have trimmed their staffs.
“World News with Diane Sawyer,” will not be replaced.

In the future, more segments will be reported, filmed and edited by jacks-of-all-trades, called digital journalists, internally.

Sometimes two of the digital journalists will team up for reports.


David Westin, the ABC News president,emphasized that there was still a place for veteran videographers and editors at ABC.

Other changes may be more subtle to viewers. More interviews will happen via Skype, rather than an expensive satellite truck. Prime-time shows will rely more heavily on freelance employees.

An unknown number were laid off. A person with knowledge of the cutbacks said 22 staff employees were laid off on Tuesday in a final round of cuts, but ABC would not disclose the numbers.


Morale is very low, according to some of the dozen ABC News staff members who agreed to be interviewed for this article.



People are “walking around like they’ve been punched in the gut,” one of the employees said, referring to people still with jobs.
Mr. Westin acknowledged in an interview on Friday that “this is a difficult time for everybody at ABC News, not least for the people who are leaving.”



Inside ABC News, it is widely believed that the cutbacks were mandated by Disney.
The cuts came shortly after CBS News, one of the other three network news divisions, lost about 70 staff members.
The third division, NBC, is in a much better financial position because it has a cable news arm, MSNBC.

Amid the buyout and layoff process, there has been widespread speculation about a potential pairing between ABC News and the Bloomberg TV cable channel.


Richard Gizbert, a former ABC correspondent who now is host of a weekly media criticism show on Al Jazeera English, said the extent of the cutbacks stunned some former ABC employees.


“Yet there’s no fewer broadcasts,” Mr. Gizbert noted.


(Mr. Gizbert’s contract was not renewed by ABC in 2004, and he lost a lawsuit against the network in 2006.)


Already, some bureaus, like Los Angeles, have been reduced significantly. Along with Mr. Rooney, other departing correspondents include Betsy Stark, Lisa Fletcher and Laura Marquez.

But ABC executives sharply disagreed with suggestions that the news division was throwing up its hands.

“The entire news industry is at a crossroads right now,” Mr. Westin said. In ABC’s case, rather than simply reducing headcount, “this is, ‘Let’s redefine jobs and what people do and what their skills are.’ ”


But to Mr. Rooney, the title of digital journalist is “really a code for cheaper and less professional.”


“The shorter the deadline, the more people and equipment it takes. In the western states in particular, it would be very challenging for one or two people to shoot, write, edit and feed a breaking news story by 3:30 in the afternoon. Wildfires tend to happen in places where there is no cellphone coverage and no Starbucks with free Wi-Fi.”

“I hope they succeed in saving ABC News,” he said, “although I like to think they will have a harder time doing it without me.”


"Fela!" "La Cage aux Folles" lead Tony nominations
(SOURCE:Reuters:Christine Kearney)

"Fela!," a new dance musical that tells the story of Nigerian Afrobeat pioneer Fela Kuti, and a revival of the musical "La Cage aux Folles" led the nominations for Broadway's top theater honors, the Tony Awards, announced on Tuesday.

Both musicals picked up 11 nominations, followed by a revival of August Wilson's play "Fences," which picked up ten. "Fences" actors Denzel Washington and Viola Davis, who play a married couple struggling with changing U.S. race relations, were both nominated for their leading performances.

Washington said in a statement that returning to Broadway "is like coming home again for me" and sharing a Tony nomination "makes it seem like one big family reunion."

"La Cage aux Folles" stars Kelsey Grammer and British stage veteran Douglas Hodge were both nominated for their turns as a gay couple who deal with their son's impending marriage in the leading actor in a musical category, joined by Sahr Ngaujah from Fela!.

Other Hollywood stars nominated for the awards, which is limited to Broadway productions, included Jude Law for "Hamlet" and Christopher Walken in British playwright Martin McDonagh's quirky play "A Behanding in Spokane."


Catherine Zeta-Jones said she "couldn't imagine a better way to make my Broadway debut" after being nominated for best leading actress in a musical for "A Little Night Music." Actors Liev Schreiber and Scarlett Johansson were also nominated for a revival of the Arthur Miller play, "A View From the Bridge."

"Memphis," a new musical that looks at the roots of rock-and-roll, won eight nominations while musical revival "Ragtime," received seven.

After relocating from a run in London, "Red," a play about abstract artist Mark Rothko, picked up seven nominations, including a nod for best lead actor in a play to British actor Alfred Molina.

"Audiences are really responding to Rothko. They love him and they love the struggle," "Red" playwright John Logan told Reuters.



Rock band Green Day's new musical, "American Idiot," picked up three nominations, including one for best musical along with "Fela!," which features no big-name actors, unlike many other productions nominated.

"Fela!" bucks the recent trend of Broadway producers relying on Hollywood actors to attract audiences.


The former off-Broadway musical signed up hip hop star Jay-Z and actor Will Smith as Broadway co-producers.

The complete list of Tony Award nominations can be found at www.tonyawards.com. The awards will be broadcast on June 13 from New York's Radio City Music Hall.


Rip Taylor To Star In “It Ain't All Confetti”
(SOURCE:Tommy Garrett)
Rip Taylor is one of television’s most instantly recognizable celebrities. A guest star with over 2,000 television appearances under his belt, Rip brought his wild energy to “The Gong Show,” “Password,” “The Merv Griffin Show,” “The Mike Douglas Show,” “The Tonight Show,” “Late Night with David Letterman” and to the coveted center square on “Hollywood Squares.”
Perhaps Rip’s greatest impact in television was when he was picked by Chuck Barris to host “The $1.98 Beauty Show.” The campy ‘beauty and talent contest’ brought Rip icon status as he served as ringmaster, gloriously reveling in the glitter and kitsch of “The World's Tackiest TV Show.” For decades, Rip has maintained his status as one of the top headliners in Las Vegas. He has been named Entertainer of the Year three times in a row, spent a year headlining The Flamingo Hotel’s “Rockettes Extravaganza,” and in 2002 brought “Rip Taylor’s Christmas Spectacular” to the Rio.
Additionally, Rip has played on Broadway and toured the country as the lead role in plays such as “Sugar Babies,” “Anything Goes,” “Oliver,” “Peter Pan,” and “A Funny Thing Happened on the Way to the Forum.”
In addition to comedy and music, Rip is an accomplished legitimate actor. He played Demi Moore’s surly boss in “Indecent Proposal,” and plays Kate Hudson’s father in the 2003 Rob Reiner film, “Alex and Emma.” Rip Taylor feels fortunate to have become a madcap mainstay in show business. He frequently donates his time and talents to numerous charitable causes including The Thalians, The Screen Actors Guild, The Actors Home, The Friars Charitable Trust and many, many more.
El Portal Theatre is a historic landmark in the San Fernando Valley located in the heart of North Hollywood just minutes from Universal Studios, Warner Brothers, Disney, ABC, CBS-Radford, NBC Burbank and sits across from the Academy of Television Arts and Sciences and the Art Institute. Since its opening in 1926 — first for vaudeville, then silent movies, and then Academy Award-winning films.
Chosen by the Smithsonian Institute as the venue for induction ceremonies to announce their first permanent Entertainment History Exhibit, in the past 10 years celebrities have starred in productions and musical reviews including Debbie Reynolds, Bea Arthur, Kitty Carlisle Hart, Charles Nelson Reilly, Ed Begley, Jr., Hal Linden, Carol Lawrence, Fred Savage, David Faustino, Sally Struthers, Charlotte Rae, Marnie Nixon, Maripat Donovan (pictured), JoAnne Worley, Vicki Lewis, Kathleen Chalfant, Carol Channing, The Manhattan Transfer, to name only a few and now the El Portal is thrilled to offer Rip Taylor.

Comedy Legend of Stage and Screen, Rip Taylor (RipTaylor.com), is scheduled to introduce “It Ain't All Confetti” at the El Portal Theatre (elportaltheatre.com/elportal.html). Rip is one of television's most recognizable personalities and “It Ain't All Confetti” puts a humorous and revealing spotlight on a career that has spanned five remarkable decades.

WHEN: Previews - Thursday, May 13, 14, 15 at 8 p.m., Sunday, March 16, at 3 p.m.

Opening Friday, May 21 - Sunday, May 30, Thurs, Fri & Sat - Curtain at 8 p.m., Sunday Matinee at 3 p.m.



LEE ROY REAMS WOWS THEM AT THE MAGIC CASTLE IN HOLLYWOOD!(SOURCE:Tommy Garrett)The theatrical definition of a triple threat is someone who can act, sing and dance, but Lee Roy Reams takes this definition to even greater heights by not only being a great performer, but director and choreographer as well.
Last week’s performance of “An Evening with Lee Roy Reams” at Cabaret at the Castle in Los Angeles was extremely well received by an audience that included MaryJo Catlett, JoAnne Worley, Nancy Dussault, Sterling Clark, Bonnie Franklin, Rita McKenzie, Karen Morrow, Tony Charmoli, Carol DeLuise, Carole Cook, Carol Lawrence, Telly Leuoug, Jane Kean, Charlotte Rae and Alison Arngrim, to name only a few.
A portion of the proceeds from this engagement will benefit the Sealed With A Wish Foundation, Inc. sealedwithawish.org
Broadway has produced some of the greatest talents the world has ever known and in this, slightly over an hour, performance given by Lee Roy Reams, we are reminded that occasionally there are those remarkable individuals who raised the theatrical bar.

With the incomparable talents of Ron Abel on piano, Mr. Reams launched the evening’s festivities with his own theatrical anthem, “Lullaby of Broadway,” then dedicated Irving Berlin’s “Pretty Women” to “… all of the lovely ladies in the room … and those under suspicion.” He shared memories and anecdotes from the stage with an appreciative audience about all the leading ladies he has had the privilege of working with, an impressive list second only to Jerry Herman, including Juliet Prowse, Gwen Verdon, Carol Channing, Pearl Bailey, Carol Burnett, Lauren Bacall, Carole Cook, Ethel Merman, Ruby Keeler and many more. Of particular interest, were the images he shared from a childhood spent in Covington, Kentucky.
Considering Mr. Reams has one the greatest resumes in Broadway history, which includes 10 Broadway hits, he could have easily kept patrons entertained for hours longer. Most recently, Mr. Reams won critical acclaim as Roger DeBris in the First National Tour of Mel Brooks' musical hit, The Producers as well as Lumiere in Disney’s “Beauty and the Beast.” Many fondly remember his role(s) of Albin/ZaZa in “La Cage Aux Folles,” Cornelius Hackl in “Hello Dolly!” and Henry Spofford in “Lorelei” (both starring Carol Channing). As if that weren’t enough there was his appearance as Duane Fox in “Applause” starring Lauren Bacall, Will Parker in Richard Rodgers’s revival of “Oklahoma!” Bob Fosse’s “Sweet Charity” starring Gwen Verdon, “An Evening With Jerry Herman” and, of course, his TONY nominated role of Billy Lawlor in “42nd Street.”

The Magic Castle is the world's most famous club for magicians and magic enthusiasts and home to The Academy of Magical Arts, Inc. Know worldwide as the showplace for some of the greatest magicians from around the globe, its latest artistic contribution, the Cabaret at the Castle has become the cabaret stage to appear and whose recent performers have included, Carol Channing, Florence Henderson, JoAnne Worley, Jason Graae, Ilene Graff, Rachel York and the recent addition of the popular New York hit Cast Party with Jim Caruso and Billy Stritch once a month.

Scheduled to appear the master mimic himself, Rich Little, on Sunday, May 23. Call 323-851-3313 x434 or e-mail broman@magiccastle.com for tickets or more information.


Support THE ARTS! LIVE THEATRE! Go see a show this week!


Send me your reviews and suggestions and I will put them in my next blog coming out May 10th Here's to an ARTS-filled week! Don't forget to contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/Foundation.htm

With grateful XOXOXs for your support!

Richard Skipper

Follow me on Twitter @RichardSkipper
HERE IS WHAT AUDIENCES ARE SAYING ABOUT MY WORK:


I would like to invite everyone down to the Iguana who would like to have an evening of wonderful music and voices,belly laughs and yummy food. This week the fun is on Thursday night, May 6th. Thank you Richard and Dana for a warm and inviting atmosphere. Nina Grand, Massapequa Park, N.Y.





Wednesday night at the Iguana (4/28/10) was so much fun!!! Thank you for celebrating Don and Peggy's birthdays. We all had a ball and have been talking about the show all day today. You and Dana are the best! Love you both! XOXO Pamela Palmieri, http://www.pamelapalmieri.com

Sandee and I love Richard and Dana, We always have a good time at Iguana. The food is good and reasonable. Richard and Dana are the best host and Hostess in town. The talent is top notch, the jokes can make you laugh, and one can get home at a decent hour... Michael Janin, Long Beach New York



FOR IMMEDIATE RELEASE: NYC THE AWARD WINNING WEDNESDAY NIGHT AT THE IGUANA STARRING DANA LORGE, RICHARD SKIPPER, AND FRIENDS!
Dana Lorge and I have put our OWN spin on the variety show format and are now hosting every Wednesday night in NYC at The Iguana VIP Lounge (http://www.iguananyc.com) in the heart of NYC (240 West 54th Street 8-11PM/with an intermission).

Cover: $12 - no food or drink minimums – but remember – the food is great!
WINNER OF TWO 2010 MANHATTAN ASSOCIATION OF CABARETS AND CLUBS AWARDS (MAC) FOR OUTSTANDING VARIETY SHOW AND OUTSTANDING HOSTS!
or more info, please call 845-365-0720 or visit _www.RichardSkipper.com_
RESERVATIONS A MUST!!!!!!!!
212-765-5454.









MAY 12th: Tod Hall returns!

May 19th: Jack Demonte, Adrienne Haan, Barbara Gurskey, Bobbie Horowitz, Evan Lawrence

May 26th: Michelle Collier, 2010 Bistro Award winner Danielle Grabianowski, and Catt John

June 2nd: D'Yan Forest and Tod Hall, Pam Palmieri



June 16th: 2010 Julie Reyburn, Lisa Raze returns!


JUNE 23rd: Sigali Hamberger, Pam Tate




June 30th: KEVIN DOZIER!

JULY 7th: JON BURR & LYNN STEIN RETURN!


JULY 27: PAULETTE DOZIER RETURNS


TILL NEXT WEEK...HERE'S TO A MUSICAL WEEK!

Sunday, August 16, 2009

NOW the concert business is imploding.



Now the concert business is imploding.
It’s not like promoters, managers, agents and acts couldn’t see this coming. They just didn’t want to believe it. They’re just as ignorant as their major label brethren.
It’s just that their comeuppance is occurring a decade later.
How long did you think it was going to last? Did you really think people were going to want to overpay to see the Stones, believing this was the last tour, when that whisper campaign began TWO DECADES AGO?

Do you really have to go see Aerosmith? Sure, they outlasted their seventies contemporaries, had hits in the MTV era, even played the VMAs year after year, but you don’t even want to hear those lame Geffen hits, you want the Columbia classics, and you’ve been able to hear them year after year.

It’s not only Aerosmith that’s having problems selling tickets. AC/DC is papering stadiums.
Paul McCartney is essentially giving tickets away. Springsteen’s tour is a joke. Come on Bruce.
You’re on a closing buildings tour? Just call it what it is, a going out of business tour!
You’re just so greedy, you want to get the money before it evaporates.

Ticket sales are not in the dumper because of the economy. That’s like saying major labels are in trouble because of piracy. Sure, piracy put a dent in the Big Four’s bottom line.
But what about the fact that people hate the crap they’re purveying, and where they’re purveying it most people aren’t paying attention anymore?
Sure, the economy is hurting ticket sales. But that’s just the cover-up. The true story is the business has broken very few superstars, and the old ones are on overpriced tours, blaming Ticketmaster while they scalp their own tickets.

You say the labels should have seen Napster coming. That they should have authorized P2P.


When is the concert business going to have an all-in ticket price?
When is greed going to be put aside for the long term health of not only the promoters, but the acts themselves? Do you really think Live Nation can overpay forever? Look at the company’s financials. And no new entity is going to line up to overpay guarantees.

But the live business, like the recorded music business, doesn’t want to start over.
It just wants to raise prices in order to assure growth.



Hate to tell you, but music doesn’t drive the culture. Because all the big acts are tied in with corporations, and are fearful of speaking the truth for fear of being Dixie Chicked.
Used to be the artists were beholden to no one, which is why the business blew up. Artists lit the way. Now techies lead.
I think of someone like Frank Sinatra. Frank Sinatra would still be a big star if he were starting out today. But he'd be a different kind of star. The day of worldwide icons who would maintain stardom for fifty years are, sadly, gone forever.
You’ve got to start small, charge little and build an audience. Which you nurture over time.
Trying to break a new superstar overnight is like GM believing it can save itself with a new Malibu (it didn’t, in case you weren’t paying attention). GM drove itself towards a cliff with no consciousness of the future.
People want mileage and longevity. GM provided neither.

Concert attendees want music. Sure, Madonna might be able to survive selling spectacle, but how many successful circuses exist? There’s Ringling Brothers and…

And a night at the show must not break the bank. Broadway overcharges because it’s seen as a once in a blue moon event. You’ve got to go to New York City… It’s like selling tickets for a U2 show on the moon.
You can charge up the yin-yang for that!
KINSEY SICKS TO CAMPAIGN AGAINST HEALTH IN REHOBOTH, OGUNQUIT, PROVINCETOWN
AUGUST 19 - SEPTEMBER 5

The Kinsey Sicks have announced a campaign to derail the President's proposed health reforms by distracting huge crowds of progressives with performances in key northeastern states. "We are against health. Health is bad and UnAmerican and we oppose anything that makes people feel better," stated Kinsey Spokesperson Trampolina, adding: "That's why our shows are so depressing."

Winnie of the Sicks noted the dragapella quartet's personal stake in the issue: "If people are healthy, won't death panels kill the Sicks?"
For this reason, she indicated, The Kinsey Sicks will be interrupting Congressional Town Hall meetings in addition to performing their shows.
Fellow Kinsey Rachel chimed in: "I personally plan to shove my naked buttocks in the face of as many Congresspeople, poll workers, and voters as possible.
Such is my dedication to the cause!"
She also noted that she remains opposed to a pubic option.
Do YOUR part to help make America Sicker by buying tickets for the following shows:

August 19: Rehoboth Beach, DE
Showtimes are 8:30 and 10:30 at the Blue Moon, 35 Baltimore Ave.

August 20-21: Ogunquit, ME
Showtime is 7 pm at MaineStreet, 195 Main Street, Ogunquit.

August 22-September 4: Provincetown.

2 DIFFERENT SHOWS! SEE THEM BOTH IN THE SAME WEEK!
Wake the F#@k Up America!: Saturday 8/22 & 8/29, Sunday 8/23 & 8/30, Thursday 8/27 & 9/3
GreatesTits and Other Bawdy Parts: Wednesday 8/26 & 9/2 and Friday 8/28 & 9/4.
Both shows at The Crown & Anchor, 247 Commercial Street. All shows 8:30pm.
September 5: Bronxville, NY
The Kinseys return to Sarah Lawrence University. And sorry to be a tease, but this one is for students and faculty only.

As for U2… They don’t sell out either anymore. Maybe because they’re no longer seen as vital, they’re the new Stones. U2 could possibly rehabilitate itself, by releasing a string of singles, one every month. By releasing a live album from the tour in progress. Instead, playing by the old rules they topped every mass media event with their lame "Get On Your Boots" and no one cared.


Just like no one cared about Springsteen’s album after the Super Bowl.

Maybe no one cares to the equivalent of a multiplatinum level anymore. Maybe the live business has to give that paradigm up.
At least for a decade, until new acts are grown.

We want music that resonates. And we want music. Lady GaGa is outfits. Katy Perry is so second rate she’s third rate. The future looks more like the Kings Of Leon. A band that’s been around for years that finally breaks through. And doesn’t break the bank when it sets ticket prices.

Screw lawn tickets at a discount. That’s like listening to music on your neighbor’s stereo. How about getting a ticket for a developing artists show when you buy the ticket for a star. We’ve got to get people sampling, we’ve got to get people coming to the show on a regular basis. Now we’ve got a business of extravaganzas. We’re like North Korea, trying to blast rockets into the stratosphere, but usually failing. To the point we’re a joke.



Check out one my pals friends showbiz savvy blog
Kristopher McDowell has a pretty great blog, click here to check it out: http://kmp.typepad.com/kristopher_mcdowell/


Eleven members of the New York City Ballet have lost their jobs, cut from the corps de ballet. (Read the full article, to be published in Arts & Leisure on Sunday, here.)
Most are in their 20s and for some, it means the end of careers that took root in childhood, when they started on a long, intense, arduous road that left little room for normal high school lives or college. Their identities, the very essence of who they are, are defined by their jobs.

These jobs involve the very highest level of artistic expression in a performing art of immense grace and beauty. Some of the laid-off dancers are going back to school, some are searching for new careers and some are forging on with auditions.

There are, of course, many veterans in the performing arts who have faced and struggled with unemployment.

If you are among them — or are among those who may be hiring them — what advice would you offer these young dancers?

The date for Bea Arthur’s memorial has finally been set. The show will take place at the Majestic Theater in New York on Monday, September 14, 2009 at 1pm. The afternoon will be hosted by Bea’s Bosom Buddy, Angela Lansbury who will be joined by Bea’s close friends, both professional and personal, as well as family.

The program will be a celebration of Bea’s life and career. All are invited and admission is free. Further information on the event is expected to follow shortly.

Before she became an iconic Emmy®-Award winning television star, Bea Arthur received a Tony Award® for Best Featured Actress in a Musical in 1966 for her performance as Angela Lansbury's best friend Vera Charles in the original Broadway production of Jerry Herman's musical Mame, directed by Gene Saks, her husband at that time.
Ms. Arthur's Broadway career began in 1955 with the original musical Plain and Fancy and continued with roles in Seventh Heaven and Nature's Way. Among her Broadway credits, she played Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof and appeared in Woody Allen's The Floating Lightbulb in 1981.

In 2002, she returned to Broadway starring in Bea Arthur on Broadway: Just Between Friends, a collection of stories and songs based on her life and career. The show was nominated for a Tony Award® for Best Special Theatrical Event.

In a career spanning seven decades, the celebrated actress, comedienne, singer and writer became a television star as the title character, Maude Findlay, on the 1970's sitcom Maude, and as Dorothy Zbornak on the 1980's sitcom The Golden Girls. She won Emmy® Awards for both roles.

She is survived by two sons and two granddaughters.GO SEE A LIVE SHOW THIS WEEK! Don't forget to contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/Foundation.htm

With grateful XOXOXs for your support!

Richard Skipper

Follow me on Twitter @RichardSkipper


HERE IS WHAT AUDIENCES ARE SAYING ABOUT WEDNESDAY NIGHT OF THE IGUANA:



What a ball it was to be among the wonderful entertainers last night (8/12/09).I had a ball singing with Barry Levitt on piano. Richard, I think you and Dana are doing a grrreat job at the Iguana. Keep up the loving atmosphere of supporting the artists and providing entertainment to the consistent audiences. Congratulations dear friend. Love, Leslie Orofino


Richard, You are the best!! Passionate about everything that you do & always thinking of others. You are an amazing entertainer - but, more importantly a sincerely generous person.
Big hugs, Debbie Rehr

Had a great time last nite at the Iguana. That was a wonderful show with marvelous talent.
The most fun I have had in a long time. Thanks for your generosity and your great spirit. I will come again soon! It was a great crowd.



August 19th: Helene Feldman, Barbara Gurskey, Travis Moser,
Alan Palmer, Gretchen Reinhagen w/Christine Talbot-Sutin on keyboard



PLEASE NOTE: THIS IS NOT AN OPEN MIC!




FOR IMMEDIATE RELEASE: NYC
Now a night out in NY to see a show at a VERY AFFORDABLE price! Joan Crowe
started this Wednesday night series.
Dana Lorge and Richard Skipper have
now put their OWN spin on it and are now hosting this weekly variety show in
NYC at The Iguana VIP Lounge (http://www.iguananyc.com) in the heart of
NYC (240 West 54th Street 8-11PM/with an intermission). WEDNESDAY NIGHT OF
THE IGUANA!
What they are doing is NOT being done anywhere else! Each week
will showcase 5 entertainers. NEXT WEEK
Christine Talbott-Sutin on keyboard and Saadi Zain returns!
on
bass. Each week will be different. Time: 8 - 11:00 p.m.
Cover: $10 - no food or drink minimums – but remember – the food is great!
CASH ONLY PAID AT THE DOOR! This is a nice night
out with the family! The show will also be done with class and elegance. A
"throw back" to the variety shows we grew up with.
For more info, please call 845-365-0720 or visit _www.RichardSkipper.com_

RESERVATIONS A MUST!!!!!!!!! 212-765-5454. No one admitted before
7:30.






August 26th Dana Lorge hosts! (Richard Skipper is out of town). Special Guest stars Helena Grenot, Jana Robbins, Adam Shapiro, Tanya Mobley, Bryn Holdsworh!

September 2nd: Dana Lorge hosts. Guests Scott Albertson (with Daryl Kojak on keyboard), Steve DePasse, Laura Hull, Anthony Santelmo, Jr.

SEPTEMBER 9th: Richard returns from Malibu! Special guest stars: John Demarco, Jackie Draper, Robin James, Sue Matsuki!

September 16th: Ann Dawson, Lou Iacovino, Sara Rice, Val Ryder, & Bill Zeffero



September 23rd: Risa Benson, Stewart Brodian, Jenna Esposito, Frank Torren, Susan Winter


September 30th: Wendy Lane Bailey, Bobby Belfry, Josh Zuckerman

October 7th: Edd Clark, Marianne Meringolo, Wendy Russell, Marcus Simeone, Maureen Taylor

October 14th: Kelly Esposito- Broelmann, Barbara Gurskey, Jonathan Long, Andrea Mezvinsky-Kolb , Martin Vidnovic


October 28th: Hector Coris returns!, Laurie Krauz & Wicked’s very own Walter ONeil!


December 30th: Ritt Henn, Annie Hughes

Keep checking http://www.richardskipper.com/schedule.html for updates

Thursday, April 30, 2009

GOOD BYE APRIL SHOWERS...HELLO, MAY FLOWERS!

Hello and Happy Thursday,

As we head into May and eventually into June, we are moving towards the theatre's awards season! The Drama Desk Awards normally give a few clues towards what the Tony race will look like. Well, here goes...
Musical "9 to 5" leads Drama Desk nominations!
Musical "9 to 5" racked up 15 noms for the 54th annual Drama Desk Awards, the most of any Broadway or Off Broadway production ever nominated by the legit org.



Sad news...The theatre lost three very influential people right at the end of April.
Bea Arthur, Marilyn Cooper, and Tharon Musser.
Tharon Musser, 84, a Tony-winning lighting designer of more than 100 Broadway shows, including such legendary musicals as A Chorus Line, Dreamgirls, Mame, and 42nd Street, has died.
http://www.philly.com/philly/obituaries/20090423_Tharon_Musser___Broadway_designer__84.html
I was lucky enough to see Marilyn Cooper in WOMAN OF THE YEAR with Raquel Welch. She stopped the show with "THE GRASS IS ALWAYS GREENER" by Fred Ebb and John Kander.
She won a well-deserved Tony for that role. Marilyn Cooper (December 14, 1934 – April 22, 2009)[1][2] was an American actress, known primarily for her work on the Broadway stage.



And then there's Bea.
I actually remember that incredible appearance on ALL IN THE FAMILY where we were introduced to Maude Findley. Her performance was so well-received that Norman Lear immediantly went into production on Maude starring Bea Arthur, Bill Macy, Conrad Baine, Rue McClanahan and Andraine Barbeau. We sadly lost Bea last week.
"Fiddler on The Roof", "Mame", "Maude" and "The Golden Girls" are what she was most known for.

"And when we die
And float away
Into the night
The milky way
You'll hear me call
As we ascend
I'll say your name
Then once again
Thank you for being a friend" -- Andrew Gold
--

By THE ASSOCIATED PRESS





LOS ANGELES (AP) -- Beatrice Arthur, the tall, deep-voiced actress whose
razor-sharp delivery of comedy lines made her a TV star in the hit shows
''Maude'' and ''The Golden Girls'' and who won a Tony Award for the
musical ''Mame,'' died Saturday. She was 86.

Arthur died peacefully at her Los Angeles home with her family at herside, family spokesman Dan Watt said.
She had cancer, Watt said, declining to give details.


''She was a brilliant and witty woman,'' said Watt, who was Arthur's
personal assistant for six years. ''Bea will always have a special place
in my heart.'' Arthur first appeared in the landmark comedy series ''All in the
Family'' as Edith Bunker's outspoken, liberal cousin, Maude Finley.
She proved a perfect foil for blue-collar bigot Archie Bunker (Carroll
O'Connor), and their blistering exchanges were so entertaining that
producer Norman Lear fashioned Arthur's own series. In a 2008 interview with The Associated Press, Arthur said she was lucky to be discovered by TV after a long stage career, recalling with
bemusement CBS executives asking about the new ''girl.''

''I was already 50 years old. I had done so much off-Broadway, on Broadway, but they said, `Who is that girl?
Let's give her her own series,''' Arthur said.

''Maude'' scored with television viewers immediately on its CBS debut in
September 1972, and Arthur won an Emmy Award for the role in 1977.

The comedy flowed from Maude's efforts to cast off the traditional restraints that women faced, but the series often had a serious base.
Her husband Walter (Bill Macy) became an alcoholic, and she underwent an
abortion, which drew a torrent of viewer protests. Maude became a
standard bearer for the growing feminist movement in America.

The ratings of ''Maude'' in the early years approached those of its
parent, ''All in the Family,'' but by 1977 the audience started to
dwindle. A major format change was planned, but in early 1978 Arthur
announced she was quitting the show.

''It's been absolutely glorious; I've loved every minute of it,'' she
said.
''But it's been six years, and I think it's time to leave.''
''Golden Girls'' (1985-1992) was another groundbreaking comedy, finding
surprising success in a television market increasingly skewed toward a younger, product-buying audience.
The series concerned three retirees -- Arthur, Betty White and Rue
McClanahan -- and the mother of Arthur's character, Estelle Getty, who
lived together in a Miami apartment. In contrast to the violent ''Miami
Vice,'' the comedy was nicknamed ''Miami Nice.''


As Dorothy Zbornak, Arthur seemed as caustic and domineering as Maude.
She was unconcerned about the similarity of the two roles. ''Look -- I'm 5-feet-9, I have a deep voice and I have a way with a line,'' she told
an interviewer. ''What can I do about it? I can't stay home waiting for
something different. I think it's a total waste of energy worrying about
typecasting.''
The interplay among the four women and their relations with men fueled
the comedy, and the show amassed a big audience and 10 Emmys, including
two as best comedy series and individual awards for each of the stars.
McClanahan said Arthur felt constrained by the show during its later
years and in 1992 she announced she was leaving ''Golden Girls.''
''Bea liked to be the star of the show, she didn't really like to do
that ensemble playing,'' McClanahan said.

McClanahan first worked with Arthur on ''Maude,'' playing her best
friend, Vivian. The women quickly became close friends in real life.
McClanahan recalled Arthur as a kind and caring person with a
no-nonsense edge. The three other stars returned in ''The Golden Palace,'' but it lasted
only one season.

Arthur was born Bernice Frankel in New York City in 1922. When she was
11, her family moved to Cambridge, Md., where her father opened a
clothing store. At 12 she had grown to full height, and she dreamed of
being a petite blond movie star like June Allyson. There was one
advantage of being tall and deep-voiced: She was chosen for the male roles in school plays.

Bernice -- she hated the name and adopted her mother's nickname of Bea
- overcame shyness about her size by winning over her classmates with
wisecracks. She was elected the wittiest girl in her class. After two
years at a junior college in Virginia, she earned a degree as a medical
lab technician, but she ''loathed'' doing lab work at a hospital. Acting held more appeal, and she enrolled in a drama course at the New School of Social Research in New York City. To support herself, she sang
in a night spot that required her to push drinks on customers.

During this time she had a brief marriage that provided her stage name
of Beatrice Arthur. In 1950, she married again, to Broadway actor and
future Tony-winning director Gene Saks.
After a few years in off-Broadway and stock company plays and television
dramas, Arthur's career gathered momentum with her role as Lucy Brown in the 1955 production of ''The Threepenny Opera.''

In 2008, when Arthur was inducted in the TV Academy Hall of Fame, Arthur
pointed to the role as the highlight of her long career.
''A lot of that had to do with the fact that I felt, `Ah, yes, I belong
here,''' Arthur said.
More plays and musicals followed, and she also sang in nightclubs and
played small roles in TV comedy shows.
Then, in 1964, Harold Prince cast her as Yente the Matchmaker in the
original company of ''Fiddler on the Roof.''
Arthur's biggest Broadway triumph came in 1966 as Vera Charles, Angela
Lansbury's acerbic friend in the musical ''Mame,'' directed by Saks.
Richard Watts of the New York Post called her performance ''a portrait
in acid of a savagely witty, cynical and serpent-tongued woman.''

She won the Tony as best supporting actress and repeated the role in the
unsuccessful film version that also was directed by Saks, starring Lucille Ball as Mame. Arthur would play a variation of Vera Charles in
''Maude'' and ''The Golden Girls.''

''There was no one else like Bea,'' said ''Mame'' composer Jerry Herman.

''She would make us laugh during `Mame' rehearsals with a look or with a
word. She didn't need dialogue. I don't know if I can say that about any other person I ever worked with.''

In 1983, Arthur attempted another series, ''Amanda's,'' an Americanized
version of John Cleese's hilarious ''Fawlty Towers.'' She was cast as
owner of a small seaside hotel with a staff of eccentrics.
It lasted a
mere nine episodes.
Between series, Arthur remained active in films and theater. Among the
movies: ''That Kind of Woman'' (1959), ''Lovers and Other Strangers'' (1970), Mel Brooks' ''The History of the World: Part I'' (1981), ''For
Better or Worse'' (1995).

The plays included Woody Allen's ''The Floating Light Bulb'' and ''The
Bermuda Avenue Triangle,'' written by and costarring Renee Taylor and
Joseph Bologna. During 2001 and 2002 she toured the country in a
one-woman show of songs and stories, ''... And Then There's Bea.''
Arthur and Saks divorced in 1978 after 28 years. They had two sons,
Matthew and Daniel. In his long career, Saks won Tonys for ''I Love My Wife,'' ''Brighton Beach Memoirs'' and ''Biloxi Blues.'' One of his Tony
nominations was for ''Mame.''

In 1999, Arthur told an interviewer of the three influences in her
career: ''Sid Caesar taught me the outrageous; (method acting guru) Lee Strasberg taught me what I call reality; and ('Threepenny Opera' star)
Lotte Lenya, whom I adored, taught me economy.''

In recent years, Arthur made guest appearances on shows including ''Curb Your Enthusiasm'' and ''Malcolm in the Middle.'' She was chairwoman of
the Art Attack Foundation, a non-profit performing arts scholarship
organization.
Arthur is survived by her sons and two granddaughters. No funeral
services are planned.
Rest in Peace, Bea. You brought joy to so many.


"It is never too late to be who you might have been" --anonymous

Tomorrow night, I'm getting a group together to go see
Gilbert & Sullivan's Ruddigore at Theater Ten Ten in NYC. If you would like to join us, please call me at 845-365-0720.

CAROL CHANNING NEWS

The Carol Channing and Harry Kullijian Foundation is currently
producing a PSA with confirmed participants including Alec
Mapa, Florence Henderson, Kevin Sorbo, Kate Linder, Donna Mills, Stefanie Powers, Lily Tomlin, JoAnne Worley and, of
course, Carol Channing.

As one of the PSA participants Florence Henderson said
"Anything we can do these days to support our youth and
encourage their education is too important to ignore," who
recently had a very positive result when over 700 students and
parents showed up for an appearance she at La Quinta Middle
School in San Diego to encourage the children.

The PSA will be edited and delivered for its premiere at the
national PTA meeting on May 2nd when they honor Carol Channing. It will then be distributed through both local and national
PTA offices as well as through out the California school system
by CSU Stanislaus with the help of former CA Secretary of
Education, Dave Long.





Remember to GO SEE A LIVE SHOW THIS WEEK!

Contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS: http://www.carolchanning.org/Foundation.htm

With grateful XOXOXs for your support!

Richard Skipper

My Ping in TotalPing.com